威斯东wisdom
我设计是这样的:形状和一般的书包一样,款式可以随你的喜欢变化,只要你按一下背带上的粉色按钮,书包的款式就会变成你想要的款式,颜色也可以随你的喜好变化,书包的右下角有一个按钮.这个按钮是用来变化书包的颜色的,让你背着这样的书包的时候,万人的眼光都注视在你的书包上. 打开书包,看书包的左上角,上面有一个红色按钮和绿色按钮.红色按钮是用来帮你整理书本的,当你的书包乱得一团糟的时候,按一下红色的按钮,系统会帮你整理好书包,这样你的心情当然也会更好啦!绿色按钮的作用很神奇,只要你按一下绿色的按钮,系统就会连接你的大脑,找到你所需要的书和本子 I design is this: shape as the common bag, and style can change as you like, as long as you click the pink button on the straps, bags of style will become what you want style, color also can change with your preferences, bag of the lower right corner there is a button. This button is used to change the color of the bag, let you carry this bag, ten thousand people's eyes are watching on your bag. Open the bag, the bag in the upper left corner, there is a red button and the green button. Red button is used to help you finish the book, when your bag disorderly mess, press the red button, the system will help you to tidy up the bag, so your mood also will be better of course! The role of the green button is amazing望采纳谢谢
夏天的小雾
梵高麦田上的乌鸦 Wheat fields Wheatfield with Crows (1890), Van Gogh Museum, AmsterdamVan Gogh made several painting excursions during visits to the landscape around Arles. He drew a number of paintings featuring harvests, wheat fields and other rural landmarks of the area, including The Old Mill (1888); a good example of a picturesque structure bordering the wheat fields beyond. It was one of seven canvases sent to Pont-Aven on October 4, 1888 as exchange of work with Paul Gauguin, Emile Bernard, Charles Laval, and others. At various times in his life, Van Gogh painted the view from his window—at The Hague, Antwerp, Paris. These works culminated in The Wheat Field series, which depicted the view he could see from his adjoining cells in the asylum at Saint-Rémy. Writing in July 1890, Van Gogh said that he had become absorbed "in the immense plain against the hills, boundless as the sea, delicate yellow". He had become captivated by the fields in May when the wheat was young and green. The weather worsened in July, and he wrote to Theo of "vast fields of wheat under troubled skies", adding that he did not "need to go out of my way to try and express sadness and extreme loneliness". By August, he had painted the crops both young and mature and during both dark and bright weather. A depiction of the golden wheat in bright sunlight was to be his final painting, along with his usual easel and paints he had carried a pistol with him that day. 梵高 星夜 In September 1888, while van Gogh was staying in Arles, he executed a painting commonly known as Starry Night Over the Rhone and later he incorporated a pen drawing in a set of a dozen based on recent paintings. Van Gogh claimed to have a "terrible need for religion" when he painted Starry Night Over the Rhone.Reed pen drawing by van Gogh, executed after the paintingIn mid-September 1889, following a heavy crisis which lasted from mid-July to the last days of August, he thought to include this "Study of the Night" in the next batch of works to be sent to his brother, Theo, in Paris. In order to reduce the shipping costs, he withheld three of the studies ("above-mentioned – Poppies – Night Effect – Moonrise"). These three went to Paris with the shipment to follow. As Theo did not immediately report its arrival, Vincent inquired again, and finally received Theo's commentary on his recent work. Subject matter The center part shows the village of Saint-Rémy under a swirling sky, in a view from the asylum towards north. The Alpilles far to the right fit to this view, but there is little rapport of the actual scene with the intermediary hills which seem to be derived from a different part of the surroundings, south of the asylum. The cypress tree to the left was added into the composition. Of note is the fact van Gogh had already, during his time in Arles, repositioned Ursa Major from the north to the south in his painting Starry Night Over the Rhone. The painting was the inspiration for French composer Henri Dutilleux's orchestral work Timbres, Espace, Mouvement, American poet Anne Sexton's poem "The Starry Night", Canadian composer Giancarlo Scalia's piano composition Starry Night and for Don McLean's song "Vincent", which is also known by its opening words, "Starry, Starry Night." Jack's Mannequin and Something Corporate singer Andrew McMahon has a tattoo of the painting on his arm. The painting has been recreated in the 3d world Second Life by artist Robbie Dingo, and the recreation was filmed and set to Don McLean's song. The painting made an appearance and had an important role in the fifth season episode "Starry Night" of Boy Meets World. Joe Satriani has a song entitled "Starry Night". The painting can also be spotted in a couple of scenes in the 2007 film I Am Legend.
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