达芬奇英语介绍

tone lowered to a guttural rumble. Agent Nev

There are Leon's a lot of paying it. It reaches. Is a painter in 1st place, and one of the people of the representative who is outstanding most at the time of Renaissance of the entire Europe in the time of Renaissance of Italy. A scientific great master and the theorist of art and literature, and big those who are the philosophies, the poet, the musician, the engineer, and inventors learning deep, deep, wide, and the landlord of thought in 1st place of the art of the versatility versatility he, and. Almost all the areas did all huge contributions to him. Talking, he is "Most perfect representative in age of Renaissance", and scholar at posterity is "Scholar of one current", and "Especially excellent talent that there are no ratios in world" in 1st placeMore praises not ashamed of all the names of reach him allThere are Leon's a lot of paying it. It reaches. Is a painter in 1st place, and one of the people of the representative who is outstanding most at the time of Renaissance of the entire Europe in the time of Renaissance of Italy. A scientific great master and the theorist of art and literature, and big those who are the philosophies, the poet, the musician, the engineer, and inventors learning deep, deep, wide, and the landlord of thought in 1st place of the art of the versatility versatility he, and. Almost all the areas did all huge contributions to him. Talking, he is "Most perfect representative in age of Renaissance", and scholar at posterity is "Scholar of one current", and "Especially excellent talent that there are no ratios in world" in 1st placeMore praises not ashamed of all the names of reach him allThere are Leon of a talented boy paying it a lot. It reaches. (Leonardo da vinci,1452-1519) suppresses the village that it is born in in Italy and the nearby applied radical sub-approves, and Florence of is close. It reaches. The child was gained, and the marriage of right or wrong of was spent in the manor in grandfather's country in his boyhood. ..reaching.. . in childhoodThe intelligence of is learnt easily in bright, and diligence, and the interest is wide. Lyrics make melody and the entire person still marvel his mastering very good the singing, and playing the lute very already, and singing by his improvisation. He especially likes painting, town always (..drinking.. Hit) Taee is drawn, and there is a beauty name of "Infant genius of the painting". It reaches. The home of hopes father's Cawahocori reaches by a famous distinguished family of Florence of that time. Can come later by becoming a lawyer like me, changes the idea by generation Cawahocori by one thing, and decides the picture of learning that (Mr.) is unusual to be transferred. The one farmer's consignment is received, one rupiah face is lacked, and Cawahocori is lacked at that time. It wants to try son's ..son.. art thus a little thus can.. (It is) ..food.. a little, and having handed it is unusual in (Mr.) this duty according to his hearing. One person was lacked by unusual (Mr.), relying on the imagination that I had enriched, and spending the time of one month and the surprised apparition was lacked. It spouts ..the flame and the poisonous gas.., and fear of ten appearance points (amount) in the kind of eyes and mouth and nostrils of the ball that opened put this apparition's long fire (ignition). (Mr.) is unusual and father comes to his room after completing the work. He interrupts, puts up the easel half, and just gets off the window in the provinces of apparition's body in the ray. It calls very much in surprise because the monster who looks brutal at one view is seen when Cawahocori just enters the room. Mr...unusual..laugh..father..say..take..deflect..give birth..effect.The son is convinced of there is a nature of the painting from it, and (Mr.) is sent to Florence unusually, and Cawahocori starts and ..".. ..radical interior of committee of master's famous artist (meeting).. studies the forming art systematically. ..reaching.. . at this timeThere are only 14 years old. There is always a humanism person in Italy at a famous art center in Florence of that time, and runs (Pass), gathers here, and discusses the problem of science with the picture mooring of committee's (meeting) Kioc. It reaches. A good influence of a lot of famous humanism people, artist, the scientist, and the humanism that became strong here of is started being accepted. It reaches. Is already in attainments of a very high art at 20 years old it, and it is true, that the graver is carved with the paintbrush and the reality and nature live and it is good, and it says to express rice, and zeal admires for wonderful in the happiness in life and nature him. It reaches. He seizes each area of human race's thought with no filling of of these talents of him. Excelling very much, and doing the thing have the soul of the art in his eyes in the able person. He : before it loses his way in the mountain, it walks to one jet-black cave, and it attaches when is. This..career..recall..say..suddenly..kind of..emotion..give birth..fear..desire..jet-black..cave..fear..feel..the..inside..see..what kind of..strange..one..do..provide..food.It is ..".. ..this mystery intellect ..feeling that life searches whether understand and fears the mystery without power not to examine whether he was all restrained to these two kinds of emotions through life.... spectacular to think passing, for the research to pass, to explain the meaning to the exposure, and to describe it. He is one teacher who has already determined, and is one researcher, especially one artist.

1、英文

Leonardo Da Vinci was born on April 15, 1452, three hours after night in the town of Toscany Hills. Little is known about Leonardo Da Vinci's childhood.

He lived in the town of Finch with his mother before he was five years old and with his father, grandparents and uncle Francesco after 1457.

At the age of 15, he went to Florence to study art, grew up as a scientifically literate painter, sculptor, and became a military engineer and architect.

He graduated from the Italian Institute of Technology in 1482 and became a famous Italian architect and painter. He carried out creative and research activities in the noble court.

In 1513, when he moved to Rome, Rome was not a very pleasant place for Leonardo. He stopped there for a short time and met Michelangelo and other artists in Rome at that time.

But he did not reveal any artistic genius. He was basically studying magic tricks there, so that the Romans thought he was a wizard.

In 1516, Leonardo Da Vinci went to France, and finally settled in Ambvas. In his later years, he seldom painted and devoted himself to scientific research.

When he died, he left a large number of notes and manuscripts covering almost everything from physics, mathematics to biology and anatomy.

2、中文

1452年的4月15日达芬奇出生在夜幕降临三个小时后的芬奇（托斯卡纳小山镇），关于达·芬奇的童年我们所知甚少。他五岁前和母亲一起居住在芬奇的村镇，1457年以后和他的父亲、祖父母、叔叔Francesco居住在芬奇小镇。

他15岁左右到佛罗伦萨拜师学艺，成长为具有科学素养的画家、雕刻家，并成为军事工程师和建筑师。

1482年应聘到米兰后毕业于意大利理工学院成为意大利著名建筑师、画家，在贵族宫廷中进行创作和研究活动。

1513年，移居罗马，罗马对于列昂纳多来说并不是很讨人喜欢的地方。他在那里做了短暂的停留，见到了米开朗基罗和其他当时在罗马的艺术家。

但并没有显露他任何的艺术天才。他在那里基本上是研究一些类似于魔法的小把戏，以至于罗马人当他是巫师一类的人物。

1516年，达·芬奇赴法国，最后定居昂布瓦斯。晚年极少作画，潜心科学研究，去世时留下大量笔记手稿，内容从物理、数学到生物解剖，几乎无所不包。

扩展资料：

达·芬奇解决了造型艺术三个领域——建筑、雕刻、绘画中的重大问题：

（1）解决了纪念性中央圆屋顶建筑物设计和理想城市的规划问题。

（2）解决了15世纪以来雕刻家深感棘手的骑马纪念碑雕像的问题。

（3）解决了当时绘画中两个重要领域——纪念性壁画和祭坛画的问题。

达·芬奇的艺术作品不仅能像镜子似的反映事物，而且还以思考指导创作，从自然界中观察和选择美的部分加以表现。

壁画《最后的晚餐》、祭坛画《岩间圣母》和肖像画《蒙娜丽莎》是他一生的三大杰作。这三幅作品是达·芬奇为世界艺术宝库留下的珍品中的珍品，是欧洲艺术的拱顶之石。

《蒙娜丽莎》的原型是威尼斯公爵夫人，当时威尼斯公爵请达·芬奇为其夫人画一幅肖像，而当这幅画作完成之后，达·芬奇因为太喜欢这幅画，不舍得交工，就连夜打包，和仆人一起逃跑了。蒙娜丽莎的右手更被称为“美术史上最美的一只手”。

《最后的晚餐》绘制在米兰格雷契修道院饭厅的墙壁上。达·芬奇一改前人绘制“最后晚餐”围桌而座的布局，让所有人物坐成一排面向观众，而耶稣基督坐在最中间。

参考资料来源：百度百科——达·芬奇

Italian painter, draftsman, sculptor, architect, and engineer whose genius, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal. His Last Supper (1495–98) and Mona Lisa (c. 1503–06) are among the most widely popular and influential paintings of the Renaissance. His notebooks reveal a spirit of scientific inquiry and a mechanical inventiveness that were centuries ahead of their time. The unique fame that Leonardo enjoyed in his lifetime and that, filtered by historical criticism, has remained undimmed to the present day rests largely on his unlimited desire for knowledge, which guided all his thinking and behaviour. An artist by disposition and endowment, he considered his eyes to be his main avenue to knowledge; to Leonardo, sight was man's highest sense because it alone conveyed the facts of experience immediately, correctly, and with certainty. Hence, every phenomenon perceived became an object of knowledge, and saper vedere (“knowing how to see”) became the great theme of his studies. He applied his creativity to every realm in which graphic representation is used: he was a painter, sculptor, architect, and engineer. But he went even beyond that. He used his superb intellect, unusual powers of observation, and mastery of the art of drawing to study nature itself, a line of inquiry that allowed his dual pursuits of art and science to flourish.Leonardo's parents were unmarried at the time of his birth. His father, Ser Piero, was a Florentine notary and landlord, and his mother, Caterina, was a young peasant woman who shortly thereafter married an artisan. Leonardo grew up on his father's family's estate, where he was treated as a “legitimate” son and received the usual elementary education of that day: reading, writing, and arithmetic. Leonardo did not seriously study Latin, the key language of traditional learning, until much later, when he acquired a working knowledge of it on his own. He also did not apply himself to higher mathematics—advanced geometry and arithmetic—until he was 30 years old, when he began to study it with diligent tenacity. Leonardo's artistic inclinations must have appeared early. When he was about 15, his father, who enjoyed a high reputation in the Florence community, apprenticed him to artist Andrea del Verrocchio. In Verrocchio's renowned workshop Leonardo received a multifaceted training that included painting and sculpture as well as the technical-mechanical arts. He also worked in the next-door workshop of artist Antonio Pollaiuolo. In 1472 Leonardo was accepted into the painters' guild of Florence, but he remained in his teacher's workshop for five more years, after which time he worked independently in Florence until 1481. There are a great many superb extant pen and pencil drawings from this period, including many technical sketches—for example, pumps, military weapons, mechanical apparatus—that offer evidence of Leonardo's interest in and knowledge of technical matters even at the outset of his career.In 1482 Leonardo moved to Milan to work in the service of the city's duke—a surprising step when one realizes that the 30-year-old artist had just received his first substantial commissions from his native city of Florence: the unfinished panel painting The Adoration of the Magi for the monastery of San Donato a Scopeto and an altar painting for the St. Bernard Chapel in the Palazzo della Signoria, which was never begun. That he gave up both projects seems to indicate that he had deeper reasons for leaving Florence. It may have been that the rather sophisticated spirit of Neoplatonism prevailing in the Florence of the Medici went against the grain of Leonardo's experience-oriented mind and that the more strict, academic atmosphere of Milan attracted him. Moreover, he was no doubt enticed by Duke Ludovico Sforza's brilliant court and the meaningful projects awaiting him there. Leonardo spent 17 years in Milan, until Ludovico's fall from power in 1499. He was listed in the register of the royal household as pictor et ingeniarius ducalis (“painter and engineer of the duke”). Leonardo's gracious but reserved personality and elegant bearing were well-received in court circles. Highly esteemed, he was constantly kept busy as a painter and sculptor and as a designer of court festivals. He was also frequently consulted as a technical adviser in the fields of architecture, fortifications, and military matters, and he served as a hydraulic and mechanical engineer. As he would throughout his life, Leonardo set boundless goals for himself; if one traces the outlines of his work for this period, or for his life as a whole, one is tempted to call it a grandiose “unfinished symphony.” As a painter, Leonardo completed six works in the 17 years in Milan. (According to contemporary sources, Leonardo was commissioned to create three more pictures, but these works have since disappeared or were never done.) From about 1483–86, he worked on the altar painting The Virgin of the Rocks, a project that led to 10 years of litigation between the Confraternity of the Immaculate Conception, who commissioned it, and Leonardo; for uncertain purposes, this legal dispute led Leonardo to create another version of the work in about 1508. During this first Milanese period he also made one of his most famous works, the monumental wall painting The Last Supper (1495–98) in the refectory of the monastery of Santa Maria delle Grazie (for more analysis of this work, see section The Last Supper, below). Also of note is the decorative ceiling painting (1498) he made for the Sala delle Asse in the Milan Castello Sforzesco. During this period Leonardo worked on a grandiose sculptural project that seems to have been the real reason he was invited to Milan: a monumental equestrian statue in bronze to be erected in honour of Francesco Sforza, the founder of the Sforza dynasty. Leonardo devoted 12 years—with interruptions—to this task. In 1493 the clay model of the horse was put on public display on the occasion of the marriage of Emperor Maximilian to Bianca Maria Sforza, and preparations were made to cast the colossal figure, which was to be 16 feet (5 metres) high. But, because of the imminent danger of war, the metal, ready to be poured, was used to make cannons instead, causing the project to come to a halt. Ludovico's fall in 1499 sealed the fate of this abortive undertaking, which was perhaps the grandest concept of a monument in the 15th century. The ensuing war left the clay model a heap of ruins. As a master artist Leonardo maintained an extensive workshop in Milan, employing apprentices and students. Among Leonardo's pupils at this time were Giovanni Antonio Boltraffio, Ambrogio de Predis, Bernardino de' Conti, Francesco Napoletano, Andrea Solari, Marco d'Oggiono, and Salai. The role of most of these associates is unclear, leading to the question of Leonardo's so-called apocryphal works, on which the master collaborated with his assistants. Scholars have been unable to agree in their attributions of these works.

As an engineer, Leonardo conceived ideas vastly ahead of his own time, conceptualising a helicopter, a tank, concentrated solar power, a calculator, and the double hull, and outlining a rudimentary theory of plate tectonics. Relatively few of his designs were constructed or even feasible during his lifetime,[4] but some of his smaller inventions such as an automated bobbin winder and a machine for testing the tensile strength of wire entered the world of manufacturing unheralded. As a scientist, he greatly advanced the state of knowledge in the fields of anatomy, civil engineering, optics, and hydrodynamics.