小于吃饭了
Athoroughlyengagingadaptionofthebroodingclassic,thisfilmrisesabovetheturgidtoneoftenimposedonotherclassicsbroughttothescreen.JoanFontaineturnsinabrilliantlydeceptivelyunderstatedperformance,andOrsonWellesrestrainsfromthescenerychewingthatmarredsomeofhisownprojects;thereissurprisingchemistrybetweenthem.Attimes,Wellesisadownright"sexy"leadingman!Thescript(creditedtoJohnHousemanandAldousHuxley)capturestheright"tone"ofVictoriancrueltyandrepression.UnderRobertStevenson'sdirectionFontaine/Wellesseemtocapturetheessenceoftwoabusedoutsidersresistingtheirattractionforoneanother,tryingtoadheretoconvention.Astrongsupportingcast.TherearebriefthoughmemorableappearancesbyAgnesMoorehead,ElizabethTaylorandPeggyAnnGarneras"young"Jane.GeorgeBarnes'cameracapturesappropriatelystarkimagesofRossDowdandThomasLittle'ssets.CharlotteBronte'sgrimnoveliswellsuitedtotheexcellentB/W,cinematography:amemorablesceneearlyinthefilmhasyoungJanebeingpunishedbybeingforcedtostandonastoolthatisnearlyinthecenterofafanofshadowscastbythestairrailing,ItisalmostreminiscentofexpressionistGermanfilmsoftheWeimaryears.Thefilmmanagestoentertainaswellasinform.Puristsmayobjecttothelast3linesofthefilmwhichhintataslightlyhappierdenouementthanthebookoffered.Inspiteofthat,JaneEyreisstillanearlyflawlessfilm.
宾格砖家
Jane Eyre — A Beautiful SoulJane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.We remember her pursuit of justice. It’s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God’s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.We also remember her striving for life, her toughness and her confidence…When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’. But as the little governess had said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind. God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more. For a long time, only a person’s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’. I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.影评没找到，这个是读后感，好像还不太全，参考一下吧~~~~~~~~
送我个时光机
A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.
