jennyzhao701
1、《红楼梦》培养真善美内驱力
《红楼梦》写情写得好，这里所说的情不仅仅是爱情，它是写人间的情，写得非常好，这些东西让我们感动。《红楼梦》除了在情方面让我们体会情、领悟情之外，同时还把那些最丑恶的东西和那些最美的东西都展示了给我们。而那些丑恶的东西，从表面上看，是畅行其事；从一些人物上来看，叫活得有滋有味。
2、《红楼梦》培养好奇心无与伦比
在《刘姥姥进大观园》这一小章节里讲的是刘姥姥——一个乡下人进了美轮美奂的大观园，处处感到新鲜，处处感到好奇，也因此闹了很多笑话的故事。不知大家注意过没有，像刘姥姥进大观园那样处处感觉新鲜的人少了。
而熟读《红楼梦》能让我们激发自身的好奇心，也许是因为读不懂，也许是因为太有趣而想进一步了解等等。在成人世界中，好奇心也是各个领域都要的。好奇心强不一定都有好结果，探索总会伴随着风险，没有风险管理能力的好奇，不一定有好的结果。但反过来看，想要在任何一个领域有所成就，没有好奇心几乎不大可能。缺乏好奇只会带来昏聩和平庸。换言之，不管做什么事，仅有好奇是不够的，但是没有好奇是不行的。
3、《红楼梦》教人感悟人生
在人的一生中为功名、金银、爱情、儿孙所存的这四大类，每个人都有可能为其中之一有放不下、想不开、看得太重的点，所以活得很累，有的人为此得了一身的病，到最后也没有活明白，《红楼梦》实为一本教人开悟的教科书。人生好比一场梦， 大梦初醒，才意识到人生的真正意义，不在于你得到多少，失掉多少，而在于你在奋斗中悟出了多少。
只有奉献，奉献既是得到的基础，又是得到的升华，奉献才是最高的得到。只有无私的奉献，才会给人生带来全面的丰收。然而人们应该以自己艰苦的劳动，为大家创造出更多的物质财富和精神财富，奉献社会，奉献他人。与此同时，人们也必将得到回报，得到身心双重丰收。要记住，自然力对每一个人都是平等的，又是了了分明的。
4、《红楼梦》教你看清人情世故
《红楼梦》里描述了一个复杂的人情社会。其中待人处事、人际交往之道更是应有尽有，而里面很多说话、打交道的技巧，都能运用到我们的现实生活中。
比如，《红楼梦》里就有一段，可以领略到王熙凤夸人的高超技巧：黛玉初进贾府，王熙凤夸她：天下真有这样标致的人物，我今儿才算见了！况且这通身的气派，竟不像老祖宗的外孙女儿，竟是个嫡亲的孙女。你看，王熙凤要夸黛玉，却拐着弯夸了贾母，还称了贾母疼爱黛玉的心。贾母听了这话，怎能不欢心呢。所以王熙凤能掌握贾家的至高权力，相信和她的高情商、伶牙俐齿不无关系。有人非常巧妙地、将这夸人的技巧用到了生活中。
扩展资料：
一、林黛玉：入乡随俗
贾母因问黛玉念何书。黛玉道：“只刚念了《四书》。”黛玉又问姊妹们读何书。贾母道：“读的是什么书，不过是认得两个字，不是睁眼的瞎子罢了！”宝玉便走近黛玉身边坐下，又细细打量一番，因问：“妹妹可曾读书？”黛玉道：“不曾读，只上了一年学，些须认得几个字。”
外界的环境既然我们无法改变，那么，就去主动地适应环境吧。
二、袭人：众醉独醒
袭人在沁芳桥畔遇见管葡萄的老祝妈，老祝妈说：“今年果子虽遭踏了些，味儿倒好，不信摘一个姑娘尝尝。”袭人正色道：“这那里使得。不但没熟吃不得，就是熟了，上头还没有供鲜，咱们倒先吃了。你是府里使老了的，难道连这个规矩都不懂了。”
我们总能在社会里找到自己的位置，然后知道什么该做，什么不该做。
三、刘姥姥：难得糊涂
鸳鸯与王熙凤为了讨好贾母，故意捉弄刘姥姥。事后，当王熙凤和鸳鸯向刘姥姥道歉时，刘姥姥却说：“姑娘说那里的话？咱们哄着老太太开个心儿，有什么恼的！你先嘱咐我，我就明白了，不过大家取笑儿。我要恼，也就不说了。”
做个明白人，难得糊涂事。
参考资料来源：百度百科——红楼梦
十年自己
I found in classical chinese are four greatest works in the 红楼梦 is can be read many times, but i feel differently. first read the 红楼梦 is high time to read, read more attention to the story, for even faster know the final outcome, the most poetry cleared. after a book in the tears of sympathy, not too fond of 薛宝钗, like better. the year before last, but daughter is going to see the 红楼梦, for she borrowed a book of adults, she had read several
丹丹5678
《红楼梦》告诉我们的道理：在任何时候，人一定要把自己当个人。我们首先是人，然后才是男人或女人，才是主子或奴才。不管你的社会地位怎样，只要你坚持捍卫自己的尊严和人格，就不会害怕权贵，也不会有人因权贵而打到你。只有精神上比肩了，你才能得到他人的爱和尊重。红楼梦既展现了宝黛二人的缠绵爱情，同时更为深刻地展现了当时社会的世风日下和豪门大户之中的是非恩怨。红楼梦以小说的形式向人们展示了四个大户人家如何从锦绣荣华最终走向衰败，向人们深刻的阐释了月圆必缺，水满则溢的道理。让人们看到了纸醉金迷之下的肮脏与不堪，发人深思。《红楼梦》故事简介：红楼梦的故事内容以贾、王、史、薛四大家族为背景，以贾宝玉、林黛玉的爱情悲剧为中心，用贾宝玉、林黛玉、王熙凤、薛宝钗、尤三姐等个性鲜明的人物描写了封建官僚贾、王、史、薛四大家族，特别是贾家的衰落过程，揭露了封建统治者的罪恶，说明了封建王朝必将衰落的历史命运。 以贾宝玉、林黛玉的爱情为中心，是贯穿全书的主线。这条线索从林黛玉和薛宝钗先后接踵来到贾府，与宝玉的爱情纠葛开始形成，并在矛盾中向前开展。
天津的明
"A dream of red mansions" written by a large and filled the tragedy story. The family tragedy, the shadow of a dream of red mansions all tragedies. In a dream of red mansions of tragedy, the bao of tragedy, because Chai twelve characters, most of the true, the good and the quality and become a tragic hero. But JiaFu power levels of decline is ultimately tragic nature? This actually relates to a kind of social phenomenon and social system of historical destiny and value problem, namely, a tragedy and the unity of history. From the historical tragedy and the same class, declining, fall the destruction of the system also has a tragic. Hegel's philosophy and aesthetics in western aesthetes, most of philosophers. The tragedy of Hegel's view of history is the important component. In the history of the development of his thoughts, in dialectical relationship with the theory of tragedy is directly under the two ideas are: first, he thought, "who is the reality that the reasonable, reasonable is realistic;" Second, he thinks the development of world history is the social form to advanced social form. And from the development and change of the eye, there is the rationality and necessity, finally will lose its existence rationality, become unreasonable. Marx and Engels is the tragedy of Hegel sublation of tragedies. For before a unreasonable tragedy, Marx points out its nature is the inevitable requirement of "history with the requirements may not happen in the conflict between the tragedy;" But after an unreasonable to emphasize its FuXiuXing, when Marx, called "; "farce After a while emphasizing on its value of unreasonable self-confidence, Marx is called the tragic: "when the old system since ancient times, there is the world power, and freedom but was suddenly thought of ideology, the others - in other words, when the old system itself and should also believe that is reasonable, the old system of history is the tragic." Since the middle of 20th century (1), China's theory of tragedy in a most unreasonable, whether realistic aesthetic or subjective philosophy, aesthetics of emerging -- to the future of humanity, and the tragedy of historical trend. Life operation However, Chinese classical writers and works for the evaluation, after a "unreasonable" tragedy must be equal attention. In a dream of red mansions ", especially such. If the subjective philosophy of tragedy, and is designed to emphasize tragedy and existence of the same value experience, experience, marxist philosophy of tragedy, it is the historical tragedy and to emphasize the same, but this "history is the pursuit of his purpose of activity", hence, the tragedy of marxist historical interpretations on architectural development and social relations and economic relations on the basis of the analysis. With the essence of tragedy from the historical link up interpretation of a dream of red mansions tragedies, we can notice "a dream of red mansions" the tragedy of the rich connotation. From the society, we'll split noticed the class struggle, "From the inevitable requirement of history with the requirement of virtually impossible realization of the conflict between the tragic", we can notice of a dream of red mansions "liberation" (or suitable unfettered) historical plight, From the perspective of alienation, this kind of tragedy in a dream of red mansions is more common, the Angle of the subject to transcend.
