燕子060207
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chihuoshiwo888
《德伯家的苔丝》悲剧成因探析AbstractThomas Hardy was a famous critical realistic writer at the turn of the 19th century in England; Tess of the D’Urbervilles is the most influential one of all his works. This novel describes a tragic life about one beautiful and pure girl after disgrace. The article describes the society environment, then begins to analysis of characters’ personality and religion factors open out at that time. Tess’s tragic life is caused by that society and it’s the result of that time. Except this, it can’t be separated from her own weakness in character, because she obviously has the dual nature of the society character---resistance and compromise. As a common person, Tess fought with the society helplessly. In the end, she turned out to be the sacrificial victim of society like all other things which disobey the morality and ethic.Key WordsTess’s Tragedy; Social Environment; Family Environment; Moral ethic; Character 摘 要托马斯.哈代是19世纪英国著名的批判现实主义作家,《德伯家的苔丝》是他最为有影响力的一部巨著。该小说主要讲述了一个美丽纯真的少女失身后悲惨的命运。文章通过对小说中社会环境的描写,再从人物性格和当时的宗教原因着手,由此揭露出苔丝悲惨的命运是那个社会所造成的,是一个时代思想,传统,秩序的局限所造成的结果。除此之外,这与她自身性格的弱点也是分不开的,因为她对命运有着反抗的一面也有妥协的一面。所以,作为普通人的苔丝与当时社会的抗争是无助的,最终会像所有一切与道德伦理相悖的事物一样,被沦为社会的牺牲品。 关键词苔丝的悲剧; 社会环境; 家庭环
TINA敏敏敏
《呼啸山庄》英文读后感Published in 1847, WUTHERING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emily's sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. Today it is widely recognized as one of the great novels of English literature. Even so, WUTHERING HEIGHTS continues to divide readers. It is not a pretty love story; rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness. It is cruel, violent, dark and brooding, and many people find it extremely unpleasant. And yet--it possesses a grandeur of language and design, a sense of tremendous pity and great loss that sets it apart from virtually every other novel written. The novel is told in the form of an extended flashback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a "Gipsy" child who he named Heathcliff. And Catherine, daughter of the house, found in him the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all. WUTHERING HEIGHTS is a bit difficult to "get into;" the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting. But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other. As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone: Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world--dragging her corpse from the grave, hearing her calling to him from the moors, escalating his brutality not for the sake of brutality but so that her memory will never fade, so that she may never leave his mind until death itself. Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond. It is a stunning novel, frightening, inexorable, unsettling, filled with unbridled passion that makes one cringe. Even if you do not like it, you should read it at least once--and those who do like it will return to it again and again
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