英语影评常用句式

很多人知道英语影评文的模板，下面就介绍几个可以万能套用的词句：

1、What kind of movie is it? It ’s a ______________________

2、It ’s a comedy. It ’s a sci-fi. It ’s a horror. It ’s an action movie. It ’ Who is in it? _______________ is in it. Who ’s starring in it? Orlando Bloom is in it.

3、Where does it take place? It ’s set in _______________. When does it take place? It takes place in ______________. It ’s set in New York in the 60s.

4、How does it end? In the end, __________________. What happens in the end? In the end, the ring is destroyed. In the end, Harry decides he really loves Sally.

5、The critics _________________. It got ___________ reviews. The critics hated it. The critics raved about it. It good great reviews. It got poor reviews.

扩展资料：

经典英语影评文模板句子：

1、It is not easy to meet each other in such a big world. -----世界这么大，能遇见，不容易。

2、When no one helps you, stand up straight, the road is long and your back is beautiful.——没人扶你的时候，自己要站直，路还长，背影要美。

3、No one is accompanying me with music and wine, no one is with me.“无人伴我歌与酒，无人伴我共白头。”

4、I thought love will come in time was the best love,but it is not a patch on your love at first sight.我以为日久生情是最美好的爱情，可却抵不过你的那句一见钟情。

5、All love is secret, all soulful only for you.所有深爱都是秘密，所有深情都只为你。

The Legend of 1900 From the first frame to the last, The Legend of 1900 is a film about music, and an extraordinary tale of a irtuoso musician born at sea. With an original score by legendary film composer Ennio Morricone and featuring an original song with lyrics written and performed by Pink Floyd's Roger Waters and guitar solos by Edward Van Halen, The Legend of 1900 is one of those classic soundtracks that will leave movie-goers obsessed with the music long after the credits have rolled. The Legend of 1900 is directed by Academy Award? winner Giuseppe Tornatore, reunited here with Ennio Morricone for the first time since their critically and commercially acclaimed international success, Cinema Paradiso. An extraordinary tale of a virtuoso musician born at sea, The Legend of 1900 tells the story of a boy's journey to manhood -- aboard a luxury ocean liner sailing between Europe and America. Abandoned on the ship as a baby and named for the year in which he was born, "1900" (Tim Roth) grows up within the confines of this transatlantic steamer, a prodigious talent at the piano who spends his days entertaining the world with his music. The film tells the story of his life, with a major focus on the music and musicians that come through his world. IT SEEMS CERTAIN that an American filmmaker who learned Italian and made a film about Italy inspired mostly by Italian films would create a weird pastiche. It would be neither Italian nor American, simply peculiar. The Legend of 1900, Giuseppe Tornatore's first English-language film, is such a case in reverse: an elephantine fable about American jazz, movies and the solitude of an artist. It's the story of a foundling, discovered in 1900 aboard the Virginian, an ocean liner. Danny (Bill Nunn), an African-American coal stoker, decides to bring the baby down to the furnaces and raises him there. The waif's benefactor is brained during an accident, and the child grows into a piano player who dazzles the shipboard crowd. It's the choice of "1900" (Tim Roth), as the musician is named, never to leave the ship. His life exhibits a forced pathos. He's a great piano player who records only once, falls in love with a girl he sees only a few times and loses forever, and never performs for the rest of the landlocked world. His buddy Max (Pruitt Taylor Vince, from Heavy) is more practical and coarse, the fat Sancho Panza to this thin piano-playing aesthete. Max narrates the end of the story to a sympathetic music-store owner as he tries to pawn his trumpet for the price of a meal. The only record of the pianist's music is a master recording, and he breaks it in a fit of pique: "My music isn't going anywhere without me." The lost song (by Ennio Morricone, not at his best) sounds like the piano accompaniment for the end credits from Search for Tomorrow, but it's supposed to be the only surviving legacy of a genius.

So what's your choice between being a common person or a hero with people's respects? Most people will choose the latter. But what will be your choice if the cost is laying your lover among the risks? What will it be if the cost is you can never tell the girl, who you love so much, that you love her? The spider man had this contradiction. But finally he still chose the latter, not in order to be a hero, but to make this word peaceful. I was so moved by the words the Aunt Mary said: You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him. The spider man got much from these words, so did I. And what about you? what's the hero lying in you? 可以自己去找些。