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You know — one loves the sunset, when one is so sad…你知道的—当一个人情绪低落的时候,他会格外喜欢看日落……If someone loves a flower, of which just one single blossom grows in all the millions and millions of stars, it is enough to make him happy just to look at the stars. He can say to himself, "Somewhere, my flower is there…" But if the sheep eats the flower, in one moment all his stars will be darkened… And you think that is not important!倘若一个人对一朵花情有独钟,而那花在浩瀚的星河中,是独一无二的,那么,他只要仰望繁星点点,就心满意足了。他会喃喃自语:“我的花就在星河的某个角落……”可是,这花一旦被羊吃掉了,一瞬间,所有星星都将随之黯淡无光……那你也认为这不重要吗?Flowers are so inconsistent! But I was too young to know how to love her…花总是表里不一,而我太年轻了,不知道该怎样爱护她……For she did not want him to see her crying. She was such a proud flower…她其实是不愿意让小王子看到自己哭泣。她曾经是多么高傲的一朵花……My flower is ephemeral, and she has only four thorns to defend herself against the world. And I have left on my planet, all alone!我的花生命是短暂的,她只有四根刺可以保护自己,抵御世界,我却将她独自留在我的星球上了!His flower had told him that she was only one of her kind in all universe. And here were five thousand of them, all alike, in one single garden!他的花朵曾经告诉他,自己是宇宙间仅有的一种花;可是仅仅在这座花园里,就有五千朵和她一模一样的花!I thought that I was rich, with a flower that was unique in all the world; and all I had was a common rose. A common rose…我总以为自己很富有,拥有一朵世上独一无二的花;实际上,我所拥有的不过是一朵普通的玫瑰而已。一朵普通的玫瑰花……To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world.对我而言,你只是一个小男孩,和其他成千上万的小男孩没有什么不同。我不需要你。你也不需要我。对你而言,我也和其它成千上万的狐狸并没有差别。但是,假如你驯服了我,我们就彼此需要了。对我而言,你就是举世无双的;对你而言,我也是独一无二的……The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat.麦田和我毫不相干,真令人沮丧。不过,你有金黄色的头发。想想看,如果你驯服了我,那该有多好啊!小麦也是金黄色的,那会使我想起你。我会喜欢听麦田里的风声……It is your own fault, I never wished you any sort of harm; but you wanted me to tame you... but now you are going to cry! Then it has done you no good at all!这是你的错,我根本无意伤害你,可是你却愿意让我驯服你……可是你现在却想哭!那驯服根本对你毫无好处!It has done me good, because of the color of the wheat fields. Go and look again at the roses. You will understand now that yours is unique in all the world.驯服对我是有好处的——因为麦田的颜色。再回头看那些玫瑰花吧!到时你就明白你的玫瑰花仍是举世无双的一朵花。And now here is my secret, a very simple secret. It is only with the heart that one can see rightly; what is essential is invisible to the eyes.这是我的一个秘密,再简单不过的秘密:一个人只有用心去看,才能看到真实。事情的真相只用眼睛是看不见的。It is the time you have wasted for your rose that makes your rose so important.你在你的玫瑰花身上耗费的时间使得你的玫瑰花变得如此重要。Men have forgotten this truth. But you must not forget it. You become responsible, forever, for what you have tamed. You are responsible for your rose…人们早已忘记了这个道理。可是你不应将它遗忘。你必须永远对自己所驯服的东西负责。你要对你的玫瑰花负责。Only the children know what they are looking for. They waste their time over a rag doll and it becomes very important to them; and if anybody takes it away from them, they cry…只有小孩子知道自己在找什么。他们把时间花费在布洋娃娃身上。因此对他们而言,洋娃娃就变得很重要。一旦有人将娃娃拿走,他们就会号啕大哭……As for me, if I had fifty-three minutes to spend as I liked, I should walk at my leisure toward a spring of fresh water.如果是我,要是我有五十三分钟可以自由运用,那我会悠哉游哉向一道清泉走去。The stars are beautiful, because of a flower that cannot be seen.星星真美,因为有一朵看不见的花。What makes the desert beautiful is that somewhere it hides a well…沙漠之所以美丽,是因为在它的某个角落隐藏着一口井……The house, the stars, the desert – what gives them their beauty is something that is invisible!古屋、星星和沙漠——赋予它们美丽的是某种看不见的东西……What moves me so deeply, about this little prince who is sleeping here, is his loyalty to a flower – the image of a rose that shine through his whole being like the flame of a lamp, even when he is asleep…这个熟睡的小王子最叫我感动的地方是,他对一朵玫瑰的感情——甚至他睡着了,那朵玫瑰花的影子,仍像灯光一样照亮他的生命……The men where you live, raise five thousand roses in the same garden – and they do not find in it what they are looking for. And yet what they are looking for could be found in one single rose, or in a little water. But eyes are blind. One must look with the heart…你所居住的星球上的人们,在同一座花园培育了五千朵玫瑰——却无法从中找到他们所要寻找的东西。但是,他们所寻找的,其实是可以从一朵玫瑰花或一滴水中找到的。然而眼睛往往是盲从的。人还是必须用心去看……All men have the stars, but they are not the same things for different people. For some, who are travelers, the stars are guides. For others they are no more than little lights in the sky. For others, who are scholars, they are problems. For my businessman they were wealth. But all these stars are silent. You – you alone – will have the stars as no one else has them…每一个人都有自己的星星,但其中的含意却因人而异。对旅人而言,星星是向导;对其他人而言,它们只不过是天际中闪闪发光的小东西而已;对学者而言,星星则是一门待解的难题;对我那位商人来说,它们就是财富。不过,星星本身是沉默的。你——只有你——了解这些星星与众不同的含义……In one of the stars I shall be living. In one of them I shall be laughing. And so it will be as if all the stars were laughing, when you look at the sky at night… You – only you – will have stars that can laugh…我就在繁星中的一颗上生活。我会站在其中的一颗星星上微笑。当你在夜间仰望天际时,就仿佛每一颗星星都在笑……你——只有你——才能拥有会笑的星星……And when your sorrow is comforted time soothes all sorrows you will be content that you have known me. You will always be my friend. You will want to laugh with me. And you will sometimes open your window, so, for that pleasure… And your friends will be properly astonished to see you laughing as you look up at the sky! Then you will say to them, "Yes, the stars always make me laugh!"当你不再感到伤心的时候(时间会冲淡一切伤痛),你就会因认识我而感到心满意足。你是我永远的朋友。将会和我一起欢笑。为了欢乐,你会经常打开窗子……当你的朋友看到你因仰望天空而大笑时,一定会感到莫名其妙!到时候,你可以对他们说:“是的,星星总让我开心而笑!”And no grown-ups will ever understand that this is a matter of so much importance!但是,大人们永远也不会了解这件事有多么重要!以上皆出自 《小王子》

英文句子带出处

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mercury211

1.有一些人在找另一个个人 还有一些在找自己 有一些人在找东西 但是他们也说不清自己在找什么 Some people are looking for something else,and some are looking for themselves. Some are looking,but they can't even tell what they are looking for.2.不知道 如何爱你 看着你 是我唯一的方式 I don't know how to love you. Looking at you is the only way I know.3.想 回到过去 将你紧紧抱紧 紧紧抱紧 I want to travel to the past,and hold you tightly4.我知道有一天我会忘记你 我没有期待 我没有悲伤 我只是知道了而已 I know that one day I will forget you. I don't have anticipation. I don't feel sad.5.我一直相信 等你出现的时候 我就知道是你 I've always believed that when you show up, I will know that it's you.6.之前那个我 和现在的我之间的距离 被许多细小琐碎的事情填充着 这些都是 你给我的爱吧 The distance between the me from before and the me right now, is filled with all sorts of little things. All of them, are the love you've given me. I just know,that's all.7.应该 趁着年轻 和喜欢的人一起 制造些 比夏天还要温暖的事 While we are young,we should create thing with loved ones that are warmer taan summer.8.想找个 保鲜盒 把你给我的那些感动 都装起来 当我不那么喜欢你的时候 就拿出来回味一下 I want to find a box,store all the moments that you 've touched me. When I don't like you as much,I can take them out and remember.9.那些 陪我一起傻过的人 你们在我身上 留下了什么 我要不要死心塌地地找回你 还是微笑后坚定地转身 从此变得聪明 Those of you who have been silly with me, have left make on me. Should I press forward until I find you again? Or turn around with a smile, becausewiser from now on ?10.我们 把头埋在对方 头发或者胸里 用味道和声音纪念 我们 将和那个人一起的 某一段画面 和时光 在脑子里 不断温习 用回忆纪念We put our heads on each others' shoulders or chest,remembering with smell and sound. We replay the time or scene we've spent with that person over and over and again in our minds,remembering with memory.出自安东尼的《这些都是你给我的爱》

156 评论(13)

后果你在哪儿

1 Do not , for one repulse , give up the purpose that you resolved to effect .(William Shakespeare , British dramatist) 不要只因一次失败,就放弃你原来决心想达到的目的。(英国剧作家 莎士比亚.W.) 2 Don't part with your illusions . When they are gone you may still exist , but you have ceased to live. (Mark Twain , American writer) 不要放弃你的幻想。当幻想没有了以后,你还可以生存,但是你虽生犹死。((美国作家 马克•吐温) 3 Ideal is the beacon. Without ideal , there is no secure direction ; without direction , there is no life .( Leo Tolstoy , Russian writer) 理想是指路明灯。没有理想,就没有坚定的方向;没有方向,就没有生活。 (俄国作家 托尔斯泰. L .) 4 If you doubt yourself , then indeed you stand on shaky11 ground .(Ibsen , Norwegian dramatist ) 如果你怀疑自己,那么你的立足点确实不稳固了。 (挪威剧作家 易卜生) 5 If you would go up high , then use your own legs ! Do not let yourselves carried aloft; do not seat yourselves on other people's backs and heads . (F. W . Nietzsche , German Philosopher) 如果你想走到高处,就要使用自己的两条腿!不要让别人把你抬到高处;不要坐在别人的背上和头上。(德国哲学家 尼采. F. W.) 6 It is at our mother's knee that we acquire our noblest and truest and highest , but there is seldom any money in them.( Mark Twain , American writer ) 就是在我们母亲的膝上,我们获得了我们的最高尚、最真诚和最远大的理想,但是里面很少有任何金钱。(美国作家 马克•吐温) 7 Living without an aim is like sailing without a compass. Alexander Dumas (Davy de La Pailleterie, French Writer) 生活没有目标就像航海没有指南针。 (法国作家 大仲马. A.) 8 The important thing in life is to have a great aim , and the determination to attain it. (Johan Wolfgang von Goethe , German Poet and dramatist) 人生重要的事情就是确定一个伟大的目标,并决心实现它。(德国诗人、戏剧家 歌德 . J . M .) 9 The man with a new idea is a crank until the idea succeeds .(Mark Twain , American writer) 具有新想法的人在其想法实现之前是个怪人。 (美国作家 马克•吐温) 10 The only limit to our realization of tomorrow will be our doubts of today .(Franklin Roosevelt , American president) 实现明天理想的唯一障碍是今天的疑虑。 (美国总统 罗斯福. F .) 1.I am caught between the devil and the deep blue sea. 进退维谷. 2.All corners of the land. 五湖四海. 3.Blazing with colour. 五彩缤纷. 4.Take in everything at a glance. 一览无余. 5.Round the clock. 日以继夜. 6.Justly and forcefully. 理直气壮. 7.It rains cats and dogs. 大雨滂沱. 8.Walls have ears. 隔墙有耳. 9.Heart and soul. 一心一意. 10.Do in Rome as the Romans do.首先,一个段落必须有一个中心即主题思想,该中心由主题句特别是其中的题旨来表达。整个段落必须紧扣这个主题(stick or hold to the topic),这就是段落的统一性(unity)。其次,一个段落必须有若干推展句,使主题思想得到充分展开,从而给读者一个完整的感觉,这就是完整性(completeness or adequateness)。再者,一个段落不是杂乱无章的,而是有机的组合,句子的排列顺序必须合乎逻辑,从一个句子到另一个句子的过渡必须流畅(smooth),这就是连贯性(coherence)。下面我们就对这三个标准分别加以说明。 1、统一性 一个段落内的各个句子必须从属于一个中心,任何游离于中心思想之外的句子都是不可取的。请看下例: Joe and I decided to take the long trip we'd always wanted across the country. We were like young kids buying our camper and stocking it with all the necessities of life. Bella bakes the best rhubarb pie. We started out in early spring from Minneapolis and headed west across the northern part of the country. We both enjoyed those people we met at the trailer park. Joe received a watch at his retirement dinner. To our surprise, we found that we liked the warm southern regions very much, and so we decided to stay here in New Mexico. 本段的主题句是段首句,controlling idea(中心思想)是take the long trip across the country。文中出现两个irrelevant sentences,一个是Bella bakes the best rhubarb pie,这一段是讲的是Joe and I ,中间出现一个Bella是不合适的。还有,Joe received a watch at his retirement dinner这一句更是与主题句不相关。考生在四级统考的作文卷上常常因为造出irrelevant sentences(不相关语句)而丢分,值得引起注意。再看一个例子: My name is Roseanna, and I like to keep physically fit. I used to weigh two hundred pounds, but I joined the YMCA for an exercise class and diet program. In one year I lost eighty pounds. I feel much better and never want to have that much weight on my five-feet frame again. I bought two new suitcases last week. Everyday I practice jogging three miles, swimming fifteen laps, lifting twenty-pound weights and playing tennis for one hour. My mother was a premature baby. 本段的controlling idea 是like to deep physically fit,但段中有两个irrelevant sentences,一个是I bought two new suitcases last week,另一个是My mother was a premature baby。 从上面两个例子可以看出,native speakers同样会造出来irrelevant sentences。卷面上如果这种句子多了,造成偏题或离题,那问题就更严重了。 2、完整性 正象我们前面说得那样,一个段落的主题思想靠推展句来实现,如果只有主题句而没有推展句来进一步交待和充实,就不能构成一个完整的段落。同样,虽然有推展句,但主题思想没有得到相对圆满的交待,给读者一种意犹未尽的感觉。这样的段落也不能完成其交际功能。例如: Physical work can be a useful form of therapy for a mind in turmoil. Work concentrates your thoughts on a concrete task. Besides, it is more useful to work ---- you produce something rather than more anxiety or depression. 本段的主题句是段首句。本段的两个推展句均不能回答主题句中提出的问题。什么是“a mind in turmoil”(心境不平静)Physical work又如何能改变这种情况?为什么它能起therapy的作用?读者得不到明确的答案。由于四级统考的作文部分只要求写一篇100~120个词的三段式短文,每一段只有大约40个词左右,因此,要达到完整就必须尽可能地简明。例如: It is not always true that a good picture is worth a thousand words. Often writing is much clearer than a picture. It is sometimes difficult to figure out what a picture means, but a careful writer can almost always explain it. 段首句所表达的主题思想是一种看法,必须有具体事例加以验证。上述两个推展句只是在文字上对主题作些解释,整个段落内容空洞,简而不明。如果用一两个具体的例子的话,就可以把主题解释清楚了。比如下段: It is not always true that a picture is worth a thousand words. Sometimes, pictures are pretty useless things. If you can't swim and fall in the river and start gulping water, will you be better off to hold up a picture of yourself drowning, or start screaming "Help"? 3、连贯性(coherence)连贯性包括意连和形连两个方面,前者指的是内在的逻辑性,后者指的是使用转换词语。当然这两者常常是不可分割的。只有形连而没有意连,句子之间就没有内在的有机的联系;反之,只有意连而没有形连,有时行文就不够流畅。 1)、意连 段落中句子的排列应遵循一定的次序,不能想到什么就写什么。如果在下笔之前没有构思,边写边想,写写停停,那就写不出一气呵成的好文章来。下面介绍几种常见的排列方式。 A.按时间先后排列(chronological arrangement) We had a number of close calls that day. When we rose, it was obviously late and we had to hurry so as not to miss breakfast; we knew the dining room staff was strict about closing at nine o'clock. Then, when we had been driving in the desert for nearly two hours ----- it must have been close to noon ---- the heat nearly hid us in; the radiator boiled over and we had to use most of our drinking water to cool it down. By the time we reached the mountain, it was our o'clock and we were exhausted. Here, judgement ran out of us and we started the tough climb to the summit, not realizing that darkness came suddenly in the desert. Sure enough, by six we were struggling and Andrew very nearly went down a steep cliff, dragging Mohammed and me along with him. By nine, when the wind howled across the flat ledge of the summit, we knew as we shivered together for warmth that it had not been our lucky day. 本段从“rose”(起床)写起,然后是吃早餐(“not to miss breakfast”, “closing at nine o'clock”),然后是“close to noon”,一直写到这一天结束(“By nine--”)。 B. 按位置远近排列(spatial arrangement)。例如: From a distance, it looked like a skinny tube, but as we got closer, we could see it flesh out before our eyes. It was tubular, all right, but fatter than we could see from far away. Furthermore, we were also astonished to notice that the building was really in two parts: a pagoda sitting on top of a tubular one-story structure. Standing ten feet away, we could marvel at how much of the pagoda was made up of glass windows. Almost everything under the wonderful Chinese roof was made of glass, unlike the tube that it was sitting on, which only had four. Inside, the tube was gloomy, because of the lack of light. Then a steep, narrow staircase took us up inside the pagoda and the light changed dramatically. All those windows let in a flood of sunshine and we could see out for miles across the flat land. 本段的写法是由远及近,从远处(“from a distance”)写起,然后“get closer”,再到(“ten feet away”),最后是“inside the pagoda”……当然,按位置远近来写不等于都是由远及近。根据需要,也可以由近及远,由表及里等等。 C. 按逻辑关系排列(logical arrangement) a. 按重要性顺序排列(arrangement in order of importance) If you work as a soda jerker, you will, of course, not need much skill in expressing yourself to be effective. If you work on a machine, your ability to express yourself will be of little importance. But as soon as you move one step up from the bottom, your effectiveness depends on your ability to reach others through the spoken or the written word. And the further away your job is from manual work, the larger the organization of which you are an employee, the more important it will be that you know how to convey your thoughts in writing or speaking. In the very large business organization, whether it is the government, the large corporation, or the Army, this ability to express oneself is perhaps the most important of all the skills a man can possess. 这一段谈的是表达能力,它的重要性与职业,身份有关,从“not need much skill”或“of little importance”到“more important”,最后是“most important”。 b.由一般到特殊排列(general-to-specific arrangement) If a reader is lost, it is generally because the writer has not been careful enough to keep him on the path. This carelessness can take any number of forms. Perhaps a sentence is so excessively cluttered that the reader, hacking his way through the verbiage, simply doesn't know what it means. Perhaps a sentence has been so shoddily constructed that the reader could read it in any of several ways. Perhaps the writer has switched tenses, or has switched pronouns in mid-sentence, so the reader loses track of when the action took place or who is talking. Perhaps sentence B is not logical sequel to sentence A ---- the writer, in whose head the connection is clear, has not bothered to provide the missing link. Perhaps the writer has used an important word incorrectly by not taking the trouble to look it up. He may think that "sanguine" and "sanguinary" mean the same thing, but the difference is a bloody big one. The reader can only infer what the writer is trying to imply. 这一段谈的是a writer's carelessness,先给出一个general statement作为主题句,然后通过5个 ”perhaps”加以例证。 c. 由特殊到一般排列(specific-to-general arrangement) I do not understand why people confuse my Siamese cat, Prissy, with the one I had several years ago, Henry. The two cats are only alike in breed. Prissy, a quiet, feminine feline, loves me dearly but not possessively. She likes to keep her distance from people, exert her independence and is never so rude as to beg, lick, or sniff unceremoniously. Her usual posture is sitting upright, eyes closed, perfectly still. Prissy is a very proper cat. Henry, on the other hand, loved me dearly but possessively. He was my shadow from morning till night. He expected me to constantly entertain him. Henry never cared who saw him do anything, whether it was decorous or not, and he usually offended my friends in some way. The cat made himself quite comfortable, on the top of the television, across stranger's feet or laps, in beds, drawers, sacks, closets, or nooks. The difference between them is imperceptible to strangers. 本段的主题句是段首句,它仅提出一个问题:为什么两只猫会被搞混。然后对两者进行比较,末句才下结论。 2)、形连 行文的逻辑性常常要靠适当的转换词语及其他手段来实现。请读下面这一段文字并找出文中用以承上启下的词语: Walter's goal in life was to become a successful surgeon. First, though, he had to get through high school, so he concentrated all his efforts on his studies --- in particular, biology, chemistry, and math. Because he worked constantly on these subjects, Walter became proficient in them; however, Walter forgot that he needed to master other subjects besides those he had chosen. As a result, during his junior year of high school, Walter failed both English and Latin. Consequently, he had to repeat these subjects and he was almost unable to graduate on schedule. Finally, on June 6, Walter achieved the first step toward realizing his goal. 本文中起承上启下的词语有两种,一种是转换词语(transitional words or phrases),另一种是起转换作用的其他连接手段(linking devices)。前者依次有:first, though, so, in particular, and, because, however, besides, as a result, both…and, consequently, and, finally.后者依次是:he, he, his, his, he, these, them, he, those, his, he, these, his. 本段中共有词汇105个,所使用的转换词语及其他连接用语共26个词,约占该段总词汇量的四分之一。由此可见,掌握好transitions不仅对行文的流(smoothness)有益,而且对于学生在半个小时内写足四级短文所要求的120个词也是不无好处的。一个段落里如果没有transitions也就很难有coherence了.我们看下面一个例子:Speaking and writing are different in many ways. Speech depends on sounds. Writing uses written symbols. Speech developed about 500 000 years ago. Written language is a recent development. It was invented only about six thousand years ago. Speech is usually informal. The word choice of writing is often relatively formal. Pronunciation and accent often tell where the speaker is from. Pronunciation and accent are ignored in writing. A standard diction and spelling system prevails in the written language of most countries. Speech relies on gesture, loudness, and rise and fall of the voice. Writing lacks gesture, loudness and the rise and fall of the voice. Careful speakers and writers are aware of the differences. 本段中除了第6句开头出现一个起过渡作用的”it”之外,没有使用其他的过渡词语.这样,文中出现许多重复的词语,全段读起来也显得生硬而不自然。如果加上必要的过渡词语来修饰的话,这一段就成了下面一个流畅连贯的段落: Speaking and writing are different in many ways. Speech depends on sounds; writing, on the other hand, uses written symbols. Speech was developed about 500 000 years ago, but written language is a recent development, invented only about six thousand years ago. Speech is usually informal, while the word choice of writing, by contrast, is often relatively formal. Although pronunciation and accent often tell where the speaker is from, they are ignored in wiring because a standard diction and spelling system prevails in most countries. Speech relies on gesture, loudness, and the rise and fall of the voice, but writing lacks these features. Careful speakers and writers are aware of the differences. 4、有损连贯性的几种情况: 考生在写作中经常出现下面几种错误: 1、不必要的改变时态,比如: In the movie, Robert Redford was a spy. He goes to his office where he found everybody dead. Other spies wanted to kill him, so he takes refuge with Julie Christie. At her house, he had waited for the heat to die down, but they come after him anyway. 2、不必要的改变单复数,比如: Everybody looks for satisfaction in his life. They want to be happy. But if he seeks only pleasure in the short run, the person will soon run out of pleasure and life will catch up to him. They need to pursue the deeper pleasure of satisfaction in work and in relationships. 3、不必要的改变人称,比如: Now more than ever, parents need to be in touch with their children's activities because modern life has the tendency to cause cleavages in the family. You need to arrange family like it so that family members will do things together and know one another. You need to give up isolated pleasures of your own and realize that parents have a set of obligations to sponsor togetherness and therefore sponsor knowledge. 因此写作中,一定要注意时态,人称以及数的变化是否正确,

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