雁归来无痕
Laoshe ,a chinese writer ,write a lot in his life .He went on to serve as lecturer in the Chinese section of the (then) School of Oriental Studies (now the School of Oriental and African Studies) at the University of London from 1924 to 1929. During his time in London, he absorbed a great deal of English literature and began his own writing. His later novel 二马 (Ma and Son) drew on these experiences
布川依夫
Chinese playwright and author of humorous, satiric novels and short stories. Lao She is perhaps best known for his story LO-T'O HSIANG-TZU (1936, Rickshaw), a twentieth-century classic. An unauthorized and bowdlerized English translation, Rickshaw Boy, with a happy ending, appeared in 1945 and became a U.S. bestseller.
兔了里个酱酱
Lao She (Chinese: 老舍; Pinyin: Lǎo Shě, February 3, 1899 – August 24, 1966) was a noted Chinese writer. A novelist and dramatist, he was one of the most significant figures of 20th century Chinese literature, and is perhaps best known for his novel Camel Xiangzi or Rickshaw Boy (骆驼祥子) and the play Teahouse (茶馆). He was of Manchu ethnicity.He was born Shū Qìngchūn (舒庆春) in Beijing, to a poor family of the Sūmuru clan belonging to the Red Banner. In 1913, he was admitted to the Beijing Normal Third High School (currently Beijing Third High School), but had to leave after several months because of financial difficulties. In the same year, he was accepted into the Beijing Institute for Education, where he graduated in 1918.Between 1918 and 1924 he was involved as administrator and faculty member at a number of primary and secondary schools in Beijing and Tianjin. He was highly influenced by the May Fourth Movement (1919). He stated, "[The] May Fourth [Movement] gave me a new spirit and a new literary language. I am grateful to [The] May Fourth [Movement], as it allowed me to become a writer."He went on to serve as lecturer in the Chinese section of the (then) School of Oriental Studies (now the School of Oriental and African Studies) at the University of London from 1924 to 1929. During his time in London, he absorbed a great deal of English literature and began his own writing. His later novel 二马 (Ma and Son) drew on these experiences.