请叫我阿虎
看来，美和女性twins.you开玩笑？不，我是不是对你自己观察！时尚广告洪水电视屏幕，广播，杂志，报纸，和streets.whether他们是否意识到，妇女围（包围）由海fashion.they教授认为，没有漂亮的衣服会变老，失去他们的美丽。谁敢忽视打扮在外表和青春的成本？but i do not agree with the opinion that women have to show their beauty through their appearances. the richness of their minds proves to be more beautiful and attractive than their appearances. a woman who has experienced many troubles and may be called “aunt” or“granny” can still keep up her beauty if she has such excellent qualities as knowledge，ability，a kind heart，great courage and concern for others,但我不同意这一观点，妇女必须通过他们的外表展现自己的美丽。他们的思想的丰富性被证明是比他们的外表更漂亮。一个女人谁经历了许多困难和可能被称为“阿姨”或“奶奶”仍能保持她的美丽，如果她有知识，能力，优良的品质，一种心，勇气和关心别人，答题不易,请赞一个
cathy101012
女人似乎是与美丽共存的，你在开玩笑吗？不，当然不是。你自己可以观察一下，在时尚的电视广告，电台节目，杂志，报纸以及大街上。不管它们是否意识到，女人都被时尚的潮流所包围。女人们都认为没有漂亮的衣服她们就会变老、变丑。因此在美貌与年轻的开销中，谁敢忽略穿着。但是我不同意这样的观点：女人必须要通过外表来展现她们的美丽。内在的修养比外表更加美丽、更具吸引力。一个经历过各种挫折的女人可以被称为“婶婶”或“奶奶”，如果她们还拥有更出众的知识，能力，善良，勇敢以及关怀他人，她们依然可以保持她们的美丽。
大嘴小鲨鱼
Fashion and variation时尚潮流与变化 The European idea of fashion as a personal statement rather than a cultural expression begins in the 16th century: ten portraits of German or Italian gentlemen may show ten entirely different hats. But the local culture still set the bounds, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). Fashions among upper-class Europeans began to move in synchronicity in the 18th century; though colors and patterns of textiles changed from year to year, (Thornton), the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. Men's fashions derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat (a necktie) (see Cravat). The pace of change picked up in the 1780s with the publication of French engravings that showed the latest Paris styles. By 1800, all Western Europeans were dressing alike: local variation became first a sign of provincial culture, and then a badge of the conservative peasant (James Laver; Fernand Braudel). Fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia. Modern Westerners have a wide choice available in the selection of their clothes. What a person chooses to wear can reflect that person's personality or likes. When people who have cultural status start to wear new or different clothes a fashion trend may start. People who like or respect them may start to wear clothes of a similar style. Fashions may vary significantly within a society according to age, social class, generation, occupation and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. The term "fashion victim" refers to someone who slavishly follows the current fashions (implementations of fashion). One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. (Compare some of the work of Roland Barthes.) Thornton, Peter. Baroque and Rococo Silks. This is an example list of some of the fads and trends of the 21st century: Capri pants, handbags, sport suits and sports jackets, ripped jeans, designer jeans, blazer jackets, and high-heeled shoes.
