《项链》英文版

SHE was one of those pretty and charming girls, born by a blunder of destiny in a family of employees. She had no dowry, no expectations, no means of being known, understood, loved, married by a man rich and distinguished; and she let them make a match for her with a little clerk in the Department of Education. She was simple since she could not be adorned; but she was unhappy as though kept out of her own class; for women have no caste and no descent, their beauty, their grace, and their charm serving them instead of birth and fortune. Their native keenness, their instinctive elegance, their flexibility of mind, are their only hierarchy; and these make the daughters of the people the equals of the most lofty dames. 2 She suffered intensely, feeling herself born for every delicacy and every luxury. She suffered from the poverty of her dwelling, from the worn walls, the abraded chairs, the ugliness of the stuffs. All these things, which another woman of her caste would not even have noticed, tortured her and made her indignant. The sight of the little girl from Brittany who did her humble housework awoke in her desolated regrets and distracted dreams. She let her mind dwell on the quiet vestibules, hung with Oriental tapestries, lighted by tall lamps of bronze, and on the two tall footmen in knee breeches who dozed in the large armchairs, made drowsy by the heat of the furnace. She let her mind dwell on the large parlors, decked with old silk, with their delicate furniture, supporting precious bric-a-brac, and on the coquettish little rooms, perfumed, prepared for the five o’clock chat with the most intimate friends, men well known and sought after, whose attentions all women envied and desired. When she sat down to dine, before a tablecloth three days old, in front of her husband, who lifted the cover of the tureen, declaring with an air of satisfaction, “Ah, the good pot-au-feu. I don’t know anything better than that,” she was thinking of delicate repasts, with glittering silver, with tapestries peopling the walls with ancient figures and with strange birds in a fairy-like forest; she was thinking of exquisite dishes, served in marvelous platters, of compliment whispered and heard with a sphinx-like smile, while she was eating the rosy flesh of a trout or the wings of a quail. She had no dresses, no jewelry, nothing. And she loved nothing else; she felt herself made for that only. She would so much have liked to please, to be envied, to be seductive and sought after. She had a rich friend, a comrade of her convent days, whom she did not want to go and see any more, so much did she suffer as she came away. And she wept all day long, from chagrin, from regret, from despair, and from distress. But one evening her husband came in with a proud air, holding in his hand a large envelope. “There,” said he, “there’s something for you.” She quickly tore the paper and took out of it a printed card which bore these words: “The Minister of Education and Mme. Georges Rampouneau beg M. and Mme. Loisel to do them the honor to pass the evening with them at the palace of the Ministry, on Monday, January .” Instead of being delighted, as her husband hoped, she threw the invitation on the table with annoyance, murmuring “What do you want me to do with that?” “But, my dear, I thought you would be pleased. You never go out, and here’s a chance, a fine one. I had the hardest work to get it. Everybody is after them; they are greatly sought for and not many are given to the clerks. You will see there all the official world.” She looked at him with an irritated eye and she declared with impatience: “What do you want me to put on my back to go there?” He had not thought of that; he hesitated: “But the dress in which you go to the theater. That looks very well to me” He shut up, astonished and distracted at seeing that his wife was weeping. Two big tears were descending slowly from the corners of the eyes to the corners of the mouth. He stuttered: What’s the matter? What’s the matter?” But by a violent effort she had conquered her trouble, and she replied in a calm voice as she wiped her damp cheeks: “Nothing. Only I have no clothes, and in consequence I cannot go to this party. Give your card to some colleague whose wife has a better outfit than I.” He was disconsolate. He began again: “See here, Mathilde, how much would this cost, a proper dress, which would do on other occasions; something very simple?” She reflected a few seconds, going over her calculations, and thinking also of the sum which she might ask without meeting an immediate refusal and a frightened exclamation from the frugal clerk. “At last, she answered hesitatingly: “I don’t know exactly, but it seems to me that with four hundred francs I might do it.” He grew a little pale, for he was reserving just that sum to buy a gun and treat himself to a little shooting, the next summer, on the plain of Nanterre, with some friends who used to shoot larks there on Sundays. But he said: “All right. I will give you four hundred francs. But take care to have a pretty dress.” The day of the party drew near, and Mme. Loisel seemed sad, restless, anxious. Yet her dress was ready. One evening her husband said to her: “What’s the matter? Come, now, you have been quite queer these last three days.” And she answered: “It annoys me not to have a jewel, not a single stone, to put on. I shall look like distress. I would almost rather not go to this party.” He answered: “You will wear some natural flowers. They are very stylish this time of the year. For ten francs you will have two or three magnificent roses.” But she was not convinced. “No; there’s nothing more humiliating than to look poor among a lot of rich women.” But her husband cried: “What a goose you are! Go find your friend, Mme. Forester, and ask her to lend you some jewelry. You know her well enough to do that.” She gave a cry of joy “That’s true. I had not thought of it.” The next day she went to her friend’s and told her about her distress. Me. Forester went to her mirrored wardrobe, took out a large casket, brought it, opened it, and said to Mme. Loisel:

A,Teal is a beautiful woman, her husband is an ordinary worker. Although her status, is infatuated with the aristocratic life of luxury, eager to participate in social activities, in order to attend a grand party, her husband saved400francs to make a dress, but also from a friend borrowed a beautiful necklace. The minister 's party, Mathilde special to her superior charm out of the limelight, her vanity which fully gratified, is simply excited forget oneself, but she has lost the necklace borrowed, in this case, she only hide buddy, take it easy compensation. Since then, the couple spent 10 years living scant oneself in food and clothes. In this difficult process of saving money, Mathilde 's hands become rough, face changing. Later, she learned by chance that the lost necklace cheap and was only a man-made diamond necklace. But she compensated for it with a real diamond necklace. So Mathilde special white hard for10 years.Two," Necklace" is the French writer Maupassant's short stories, not complicated plot: Education Department Clerk Lu watt plant wife Mathilde's vanity, the pursuit of elegant and luxurious life, but family circumstances can only let her live in a dream. Husband to wife happy, easy to get the education minister couple family party invitation. In order to attend the party, Mathilde to Buddha thinks Festival Madame borrowed a diamond necklace. The party, Madame Loisel obtained success," she is better than all the women are beautiful, and elegant, charming", however, extreme joy begets sorrow, she accidentally lost borrowed a diamond necklace. In order to pay off the debt to buy necklace, the couple bear bitter hardships working ten years. Mathilda into a thick hard woman, sitting Buddha thinks Festival Madame, old friend could not recognize her, Mathilde out ten years of unusual experience, Buddha thinks Festival Madame very touched by her, and told her to lend her beyond all expectations, the necklace is the most five hundred francs a fake diamond necklace.

"The Necklace" by Guy de Maupassant Guy de Maupassant was the child of an unhappy marriage. His mother has been dessccrriibbeedd as neurotic and his father as a man who sought relief from his wife in the arms of other women. Perhaps the collapse of his parents' marriage engendered de Maupassant's pessimism, reflected particularly in his stories about infidelity and failed relationships. It certainly influenced his own attitude toward women, which, in turn, affected his creation of characters in stories such as "The Necklace."Events in History at the Time of the short story The purpose of women. De Maupassant's attitude toward women was ambivalent. He was one of few nineteenth-century authors to recognize and celebrate women's sensuality rather than regard it as a sign of corruption. He was also, however, devastatingly cruel to women, whether in his own life or in his fiction. He recommended that the French Academy commission a treatise on how to "break decently, properly, politely, without noise, scene or violence, with a woman who adores you and with whom you are fed up" (de Maupassant in Steegmuller, p. 178). He scoffed at monogamy, insisting that he could not understand how two women could not be better than one, three better than two, and ten better than three.