清明上河图英文

Upper river during the Qing Ming Festival新东方的教材里出现的

清明上河图英语：Riverside Scene at Qingming Festival

d fells Humanitarian Burbank

《清明上河图》,在英语媒体中一般以音译加注释的方法标名。常用的名称如下： Qingming shanghe tu (Ascending the River at Qingming Festival) ，painted by Zhang Zeduan。这种译法也是官方的译法，中国负责对外宣传的中国新闻社英文稿都采用这种译法（参见：中新社： http://www.chinanews.cn/news/2005/2005-12-14/15792.html)国际学术界一般也接受这种译法，比如美国明尼苏达大学（umn）研究中国文学的客座教授Joseph R. Allen在自己的简历中提到此图时用的也是这个名称（参见：）chorlauheung根据相关资料自行整理提供

ALONG THE RIVER DURING CHING MING FESTIVAL known in Chinese as 《清明上河图》 was the work of Song Dynasty artist, Zhang Zeduan. The painting captures the daily life of people from the Song period at thecapital, Pien Jing (today's Kaifeng). The theme celebrates Ching Ming Festival (Qingming Festival). The entire piece was painted in handscroll format and the content reveals the lifestyle of all stratum of the society (from rich to poor) as well as different economic activities in rural areas and the city. It offers glimpse of the custumes and architecture during the period. As an artistic creation, the piece has been well revered and over the centuries, court artists of subsequent dynasties have reproduced several versions. Along the River During the Ch'ing-ming Festival Court painters, Ch'ing Dynasty (1644-1911) Handscroll, ink and colors on silk, 35.6 x 1152.8 cm The original upon which this work is based, by Chang Tse-tuan (active early 12th century), is a masterful unfolding of Sung dynasty life and customs at the capital of Pien (K'ai-feng) in a long handscroll format. This theme, popular in the Northern Sung (960-1126), has been copied often throughout the ages. There are seven versions alone in the National Palace Museum, and this one by court painters of the imperial painting academy under the Ch'ien-lung Emperor (reigned 1736-1795) is one of the most famous. Each version reflects not only the painting style but also life and appearances of the period it was made. This version represents a collaboration by five court painters (Ch'en Mei, Sun Hu, Chih K'un, Tai Hung, and Ch'en Chih-tao) and was finished in 1736. It can be said to be a copy that combines the style and features of previous versions along with unique customs of the Ming and Ch'ing, such as the forms of entertainment popular at the time. The lively activities include a theatrical performance, monkey show, acrobatics, and a martial arts ring to lend a festive air to the scenery. Brilliantly colored and characterized by sure, fine brushwork, this represents a fine example of Ch'ing court painting. Although this handscroll has lost much of the archaic feel of the Sung dynasty version, it is a valuable source of information for late Ming and early Ch'ing life and customs. The style also reflects the influence of Western painting techniques, popular at the court then. The buildings and streets, for example, were rendered with Western-style perspective, and even some Western-influenced architecture appears. The bridge and buildings are depicted in the ruled-line method ("chieh-hua"), and the figures are also exquisitely detailed.

Upper River during Qing Ming Festival