加菲猫爱烤鸭
Cafe Terrace on the Place du ForumOil on canvas81.0 x 65.5 cm.Arles: September, 1888F 467, JH 1580 Vincent van Gogh's The Cafe Terrace stands as one of the painter's most remarkable works. It is also, without question, one of the most famous produced in Van Gogh's brief but prolific career. This work is the first in a trilogy1 of paintings which feature starlit skies. Starry Night Over the Rhone came within a month, followed by the popular Starry Night painted the next year in Saint-Rémy. An interesting companion to these three can be found in the Portrait of Eugene Boch (painted in the same month as Cafe Terrace and Starry Night Over the Rhone)--note the starry motif in the work's background. Vincent was enthusiastic about The Cafe Terrace and wrote to his sister Wil: In point of fact I was interrupted these days by my toiling on a new picture representing the outside of a night cafe. On the terrace there are tiny figures of people drinking. An enormous yellow lantern sheds its light on the terrace, the house and the sidewalk, and even causes a certain brightness on the pavement of the street, which takes a pinkish violet tone. The gable-topped fronts of the houses in a street stretching away under a blue sky spangled with stars are dark blue or violet and there is a green tree. Here you have a night picture without any black in it, done with nothing but beautiful blue and violet and green, and in these surroundings the lighted square acquires a pale sulphur and greenish citron-yellow colour. It amuses me enormously to paint the night right on the spot. They used to draw and paint the picture in the daytime after the rough sketch. But I find satisfaction in painting things immediately. (W7: 9 and 16 September 1888) Vincent goes on to tell Wil that there is a description of a similar cafe in the book Bel Ami by Guy de Maupassant: " . . . a starlit night in Paris with the brightly lighted cafes of the Boulevard, and this is approximately the same subject I just painted.".2 Van Gogh's works are often inspired by literary references or by the works of other painters (see his copies after Jean-François Millet). Cafe Terrace has a similar style and compositional structure to Avenue de Clichy in the Evening by Anquetin. Regardless of whether Van Gogh was directly inspired by Anquetin's work, the composition of Cafe Terrace is unique among all of Van Gogh's oeuvre. Note how the lines of composition all point directly to the centre of the work where a horse and carriage are found. Everything seems to be drawn inward, like a vortex, and yet the overall tone suggests tranquillity and not turmoil. The overall scheme is dark, but without the slightest trace of black. More than one hundred years after Vincent painted it, the Cafe Terrace is still in Arles serving drinks to its thirsty patrons. It's now called the Cafe Van Gogh, appropriately enough, and has been remodelled to appear as it did more than a century ago--yellow-lit awning and all. I stopped and had a cognac when I visited Arles in 1995 (you won't find absinthe on the menu any more) and thought of Vincent, so close by in spirit, working feverishly (but contentedly) under the stars.
一吉一吉
花名：格尔尼卡Guernica, 1937 (Pablo Picasso 毕加索)Picasso's most famous work is his depiction of the German bombing of Guernica during the Spanish Civil War — Guernica. This large canvas embodies for many the inhumanity, brutality and hopelessness of war. Asked to explain its symbolism, Picasso said, "It isn't up to the painter to define the symbols. Otherwise it would be better if he wrote them out in so many words! The public who look at the picture must interpret the symbols as they understand them."Guernica hung in New York's Museum of Modern Art for many years. In 1981 Guernica was returned to Spain and exhibited at the Casón del Buen Retiro. In 1992 the painting hung in Madrid's Reina Sofía Museum when it opened.格尔尼卡，1937年（毕加索）毕加索的最著名的作品是他描写的轰炸格尔尼卡德国在西班牙内战-格尔尼卡。这个大型帆布体现了许多人的不人道，残忍和绝望的战争。当被要求解释其象征意义，毕加索说：“这是不符合画家来定义的符号。否则会更好，他说，如果在这么多的话来！市民谁看的图片必须解释的符号为他们了解他们。“格尔尼卡在纽约现代艺术博物馆鸿多年。格尔尼卡是在1981年回到西班牙并在卡森德尔布恩雷蒂罗展出。 1992年，画挂在马德里的雷纳索非亚博物馆时.
哼哼家的猫猫
《玫瑰》（Roses），《播种者》（The Sower），《鸢尾花》（Irises），《麦田上的鸦群》（Wheat Field with Crows），《梵高的椅子》（Vincent's Chair with His Pipe）。
1、《玫瑰》
《玫瑰》（Roses）是1889年梵高创作的一幅油画，收于於日该国立西洋美术馆。
《玫瑰》作于1889年。梵高自愿来到离阿尔25公里的圣雷米。在圣-保罗精神病院治疗。这时的梵高已陷入对精神病的恐惧和对前途的迷茫中。
他每隔几个月发一次病，但事后却非常清醒，并且经常到户外作画。令人惊叹的是，梵高在这样的情形下并没有颓废，而是画出了一幅幅更加成熟，更加大胆，更加令人震撼的作品。
2、《播种者》
《播种者》是梵高创作于1888年 6月的一幅画布油画 （Oil on canvas）。尺寸：64x80.5cm；现存：奥特罗，克罗勒-穆勒博物馆。
梵高使用了强烈黄蓝对比色来表现夕阳下的麦田景观。开阔的前景和紧实的背景，呈现出后退延伸的效果。农夫的姿态和位置与地面上的土沟，形成上下动势的平衡。
3、《鸢尾花》
《鸢尾花》（Irises）：是荷兰画家文森特·梵高一幅作品，创作于去世的前一年1889年5月，当时梵高进了法国圣雷米（Saint-Rémy）的一间精神病院，在那里画成。作品现收藏在美国加州保罗盖兹美术馆。
这幅《鸢尾花》被称为梵高在“圣雷米时期最伟大的作品之一”，它远远地就能吸引住人们的目光，色彩丰富，线条细致而多变，整个画面充满律动及和谐之美，洋溢着清新的气氛和活力。
4、《麦田上的鸦群》
麦田上的鸦群（Wheat Field with Crows）是文森特·梵高在1890年7月创作的油画作品。《麦田上的鸦群》作为梵高最强大，最具激烈争论的画作之一，在其作品中脱颖而出。
在梵高的全部作品中，对这一特定作品的许多解释可能比其他任何画作的解释都多。有些人认为这是梵高的“遗书”放在画布上，而其他人则超越了对主题的肤浅概述，并赞成采取更积极的方法。
一些更极端的评论家甚至进一步投射他们的视野——超越画布和笔触，以便将图像翻译成潜意识的全新语言。
5、《梵高的椅子》
《梵高的椅子》（Vincent's Chair with His Pipe），梵高于1888年12月画了自己和高更的椅子，这张画中充满了孤寂的气氛。
从某种意义上看, 凡·高的椅子只是一件静物而已。但是从另一种意义上看, 这张空椅和放在上面的烟斗和烟草可谓孤独的明显象征。
梧桐春雨
向日葵，这个图片好找，就不给你附上了，Sunflowers (original title, in French, Tournesols) are the subject of a series of still life paintings executed in oil on canvas by the Dutch painter Vincent van Gogh. Among the Sunflowers paintings are three similar paintings with fifteen sunflowers in a vase, and two similar paintings with twelve sunflowers in a vase. Van Gogh painted the first Vase with Twelve Sunflowers, which is now in the Neue Pinakothek Museum in Munich, Germany, and the first Vase with Fifteen Sunflowers, which is now in National Gallery, London, England, in August 1888 when he was living in Arles southern France. The later similar paintings were painted in January the following year. The paintings are all painted on about 93 × 72 cm (37" × 28") canvases. An earlier series of four still life using sunflowers were painted in Paris in 1887.Van Gogh began painting in late summer 1888 and continued into the following year. One went to decorate his friend Paul Gauguin's bedroom. The paintings show sunflowers in all stages of life, from fully in bloom to withering. The paintings were innovative for their use of the yellow spectrum, partly because newly invented pigments made new colours possible. In a letter to his brother Theo, van Gogh wrote: the sunflower is mine in a way.On March 31, 1987, even those without interest in art were made aware of van Gogh's Sunflowers series when Japanese insurance magnate Yasuo Goto paid the equivalent of USD $39,921,750 for Van Gogh's Still Life: Vase with Fifteen Sunflowers at auction at Christie's London, at the time a record-setting amount for a work of art. The price was over four times the previous record of about $12 million paid for Andrea Mantegna's Adoration of the Magi in 1985. The record was broken a few months later with the purchase of another Van Gogh, Irises by Alan Bond for $53.9 million at Sotheby's, New York on November 11, 1987.While it is uncertain whether Yaso Goto bought the painting himself or on behalf of his company, the Yasuda Fire and Marine Insurance Company of Japan, the painting currently resides at Seiji Togo Yasuda Memorial Museum of Modern Art in Tokyo. After the purchase a controversy arose whether this is a genuine van Gogh or an Emile Schuffenecker forgery.
