英文维基jingzhao

参加学海杯吗？我的演讲稿你看看行不行？Jingdezhen, a city in Jiangxi province, it’s famous for the Cloisonné. Cloisonné is a variation of enamel work with copper as the inside frame. The Jingtai reign of the Ming Dynasty saw a remarkable thriving period of Cloisonné making, the glaze of which was primarily blue. It thus obtained the name ‘Jing tai lan’, with the word ‘lan’ meaning blue. The Cloisonne products range from little earrings to huge ornaments, which are elegantly shaped with beautiful patterns and bright glittering colors......应该比较适合你O(∩_∩)O~ ，你也可以上维基英文百科寻找答案，只要你能看得懂O(∩_∩)O~

无法上传，打开维基百科的英文版去搜YU QIAN的相关资料吧。

Jing Lusi，电影【杰克遇挫 Jack Falls (2010)7.7 】饰演Carly。其他的资料就没有了，看起来也算是美女级别的吧。

生于上海浦东，5岁时和父母移居英国，2006年毕业于伦敦大学。

Hi, Hello, everyone! I was a primary school students, from China. China is a beautiful and richly endowed country. There are strange Huangshan; beautiful Xiangshan; beauty of Mount Emei; majestic mountain Huashan ... China is not only, but also have water. The Yellow Sea, East China Sea so majestic; West Lake, the lake was calm as a mirror ... my country I am proud of you!

1、Beijing Opera translation: a great taskIn recent years, more and more foreign dramas and operas are being performed in Chinese theatres. However, it seems that chances for foreign audience to enjoy Chinese traditional operas are relatively fewer, resulting in an unbalanced exchange between China and the other foreign countries in the world. Beijing Opera, the very repress introduced to more audience of Chinese traditional operas, worth being of the entire world. Mrs. Elizabeth Wichmann-Walczak's version of Mei Lanfang's representative Beijing Opera work The Phoenix Returns to Its Nest sets a good example.2、A brief introduction to Beijing OperaBeijing Opera (or Peking Opera) has existed for over 200 years.It is widely regarded as the highest expression of Chinese culture. It is known as one of the three main theatrical systems in the world. Artistically, Beijing Opera is perhaps the most refined form of opera in the world. It has deeply influenced the hearts of the Chinese people. Although it is called Beijing Opera, its origins are not in Beijing but in the Chinese provinces of Anhui and Hubei. After absorbing the operatic tunes of regional operas such as Han Opera, Hui Opera, and Kunqu Opera, it became a genre of national significance and popularity during the 1790's. The charm of Beijing Opera lies in the comprehensive form of stage art. It is an organic combination of script literature, the performing techniques of "singing, reciting, dance-acting and acrobatics", music, painted-face make-ups and costumes, and so on.3、Beijing Opera translationThe early attempts to bring Chinese drama to the West mainly consisted in translation of traditional Chinese opera lyrics, which served as literature for the purpose of reading rather than performance. These include Xi Xiang .Ii and a great number of other Yuan dynasty operas. In 1741, Zhao Shi Gu Er, or as Edward Cave rendered it, Chau Shi Ku Eul: The Little Orphan of the Family of Chau, was translated into English. Three English versions' of this play were published in London, translated respectively by Edward Cave, William Hatchett and John Watts. Among the modern classics in Chinese modern drama translated into English were Cao Yu's Thundestorm by Wang Tso-Bang and A.C. Barnes and Wildness by James Liu. Since the late 1970s, many new Chinese plays have been collected in anthologies of translations of contemporary Chinese literature.以上资料，引用请注明出处（见“参考资料”）4、In this period, Peking opera became the most popular and economically developed form of urban stage entertainment in China and its actors, playwrights, and patrons were central figures in the popular imagination and cultural politics of the day. As a diverse group these actors and their allies worked within the context of a rapidly changing urban and national culture to overcome social and political discrimination and elevate their art to the level of internationally recognized cultural respectability. In the process, Peking opera was in many ways on the leading edge of modern transformations and experimentations in creating new meanings for popular theater, new dynamics of urban sociability, and new representations of gender, while at the same time serving as a symbol for a traditional culture that many sensed was receding under the pressures of modernization.