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我爱蟹爪兰

已采纳

reshape (and) dry flat整形和干燥cool iron 冷烫(俗称低温熨烫)when need.在需要时知识角巩固一下熨烫 Ironing and Pressing、热烫 Hot Iron、温烫 Warm Iron、低温烫 Cold Iron、不可熨 Do not Iron、反面熨 Iron on Wrong Side、用蒸汽熨烫 Steam Press/Iron、在湿润时熨烫 Iron Damp、用布间隔熨烫 Use Press Cloth

2013英语一reshape

288 评论(15)

luclmars明尼苏达

修改一下帽子的外形曲线,将帽顶降低一英寸然后弯曲,将帽底降低一英寸然后弯曲(沿中间那条线)

300 评论(12)

哈笑折腰

不要漂白,卷入毛巾中除去过多的水分。如果需要,干燥平的凉爽熨烫重塑。

312 评论(13)

喜欢运动的男孩

有没有其他的限制? 比如sad必须相连什么的? 否则太多了,2000+,举例如下:ambassador - 大使bedspread - 床罩crossroad - 十字路口dashboard - 仪表板eastward - 向东方的;朝东的。firsthand - 第一手的。grassland - 草原;牧场;草地。housemaid - 女佣,女仆。illustrated - 有插图的,有插画的报章杂志。jigsawed - 用锯曲线机锯(jigsaw的过去式形式)。kickstand - (慢车停车的)支架。landscaped - 对…做景观美化,给…做园林美化(landscape的过去式与过去分词形式)。mislead - 把…带错路;把…引入歧途。newsstand - 报摊,杂志摊。outstand - 忍耐;停留;凸出;突出。postcard - 明信片。quicksand - 流沙,敏捷,危险而捉摸不定的事物;悬浮体;流砂。reshaped - 整形的;改变…的形状(reshape的过去式和过去分词)。sophisticated - 复杂的;精致的;富有经验的;深奥微妙的。thousand - 一千;数千;许许多多;千位数。understand - 了解;默认;听说;领会。visard - 面颊,覆面。waistband - 腰带,束腰带。

305 评论(12)

萨克有声

Sadness

193 评论(12)

狮子跃峡谷

At a time when talk of a "clash of civilizations" looks increasingly like a self-fulfilling prophecy, when bin Laden-ites seek to reshape the world in the image of universal Islam, when our own leaders blithely hive off the good from the evil, us from them, Anthony Appiah issues a call for a more helpful posture toward a world of stubborn difference, an approach he calls, reaching back to the 4th Century Greece, "cosmopolitanism."The cosmopolitan ethic starts from the thought that human knowledge is fallible—that no culture or individual has a lock on truth—and upholds "conversation," broadly defined as the respectful and candid exchange of views among individuals and cultures—as a good in its own right; agreement is not its ultimate goal. It understands individuals in the context of their cultures but tends, where the two clash, to give primacy to the former. What cosmopolitanism does not permit, however, is a kind of flaccid relativism; it insists that there are some universals—basic human rights, for instance—which are non-negotiable. Otherwise, it says, difference and disagreement are so much grist for mutually enriching dialogue.I don't think that cosmopolitanism has to be either elitist or unpatriotic; I think it's perfectly possible to combine a sense of real responsibility for other human beings as human beings with a deeper sense of commitment to a political community. As far as I'm concerned, the key things in cosmopolitanism are, first, that global concern--the acceptance that we're all responsible for the human community, which is the fundamental idea of morality. What's distinctive about the cosmopolitan attitude is that it comes with a recognition that encounters with other people aren't about making them like us. Cosmopolitans accept and indeed like the fact that people live in different ways; that free human beings will choose to live in different ways and will choose to express themselves in different ways. And that openness to difference comes, I think, from a kind of toleration combined with a recognition of human fallibility. One of the reasons why we're glad there are people out there who aren't like us is that we're pretty certain that there are a lot of things we're wrong about. There are two strands to cosmpolitanism, and both are essential. The first is universalist: it says everybody matters. But they matter in their specificity, as who they are, not who you want them to be. The problem is that there are people going around who want to reshape the world, want to reshape everybody else, in their own image. That's dangerous. Some of them are more violent than others; some aren't violent at all. But none of them are cosmopolitan, and in that sense I'm against them.The world is full of people consuming things we know nothing about here. And anyway, even if they were (God forbid) force-fed a diet of American television they'd interpret it in their own context. They literally wouldn't see what you see. There are famous studies—I mention two of them in my book—that show this. People tend to borrow the things they find useful and ignore the rest. They interpret and respond; they're not a wax on which you're imprinting an image. People even interpret plot in their own cultural context. There are these famous studies of the reception of the American television series Dallas in Israel and Palestine. They talk about a moment when a female character leaves her home and goes to stay with an older man. They saw her going back to her father. In fact he's her boyfriend, but in that world that would never be. They saw her doing what they would do in like circumstances. When you send a television series to Ghana or Mexico or South Africa you don't send a guy with it to interpret it; people interpret it for themselves.这篇文章比较有深度,如果你是大学以下,建议还是根据自己实力来选择删减,但是很适合做演讲稿!~

238 评论(10)

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