瓷莲花碗英文名

The tower inner unearths a piece of the treasure being focused attention upon by the common people getting over the kiln blue china lotus flower bowl , it is a piece of representative work in getting over the kiln blue china when high 8.9 centimetres secret color china lotus flower bowl five Daitonggao 13.5 centimetres of bowl caliber asks height to keep the Suzhou Hu Qiu Yun Yan temple tower in repair 6.6 centimetres in 1956 13.9 centimetres,rare work in being able to be called the "secret color china ", is superb , outstanding. From the bowl and support, two parts are composed of the lotus flower bowl. The bowl is to stretch the deep abdomen of mouth, three set of outside wall ornaments emboss lotus flowers , the form asking if bean, upper part is to turn an oral disc over , delineate pair of hooks relying on two set of lotuses , is to the circle foot that the outside throws on the lower part, ornaments emboss covers two set of lotuses. Be a bowl's turn to be composed of seven set of various forms lotus flower together. That the china embryo assumes the off-white , padding quality is exquisite compact, the pellet pure and clean , supports heart levelling homogeneously, the center carves to have one small round hole to go straight to the implement bottom , Kongbian carves "an item writing down " the kiln labor (author) two characters , Shi Qing glazes, the tier favors a glaze and the whole body is as consistent , bright and clean as jade, lake water is general , limpidity is dark green if peaceful, "the kiln opens nine autumn wind dews that Tang describes exactly as among tortoise Mongol nationality "secret color china poem " increasingly , dazzle the eyes about thousand peak emerald green colors ", With "one deep lake green , implement shape that Mr. Chen Wan Li describes as the spring water cleaning up ripples" Dun Hou is demure , proportion is moderate , the line is fluent , rich magnificent, the whole body is like one lotus flower being in full bloom , make up a mental outline of ingenious , integral and indivisible day Cheng. Secret color china beginning fever Yu Tang , the Five Dynasties , namely , the Later Liang Dynasty , the Later Tang Dynasty , the Later Jin Dynasty , the Later Han Dynasty , and the Later Zhou Dynasty and Northern Song Dynasty initial stage, Mrs. south Jiangsu and north Zhejiang king money is built up a country time the Five Dynasties , namely , the Later Liang Dynasty , the Later Tang Dynasty , the Later Jin Dynasty , the Later Han Dynasty , and the Later Zhou Dynasty , Shang Lin county Lake is purchased a government official supervising a kiln having a temperature making a blue china , the imperial court offering is listed as in Zhejiang, multitudinous the ruler's subject is unable usage. The lotus is lotus flower , the subject matter being chanted down the ages with unflagging patience by people , its gentleman virtue producing sludge but not dyeing gives personality to significance. The lotus has the fine growth environment and unique having a graceful demeanour tender and beautiful attitude, but have quiet and beautiful , quiet and comfortable delicate poetry more realm, the scholar is borrowed scenery from feeling by man of letters ease empathize placing various emotion. The Wei period, is being entered Chinese with the Buddhism biography , the lotus flower is being molten right away to enter one kind of mysterious religion color , is being symbolized blissful Pure Land and the life significance regenerating, one of the main subject matter becoming Buddhism art, in being drawn quilt using broadly in the Pure Land environment , Buddha seat , sculpture, this proves, not only be one model artist who has great originality, and be god-fearing one Buddhist Mrs. the designer item owing a lotus flower a bowl, The kiln blue china lotus flower bowl is a piece of extremely good intellectual products of realm this piece increasingly therefore speaking , power of Buddha and art are that work middle unite eternal an imperishable work being without a rival in this piece so consummate. Conceal self in Suzhou museum now. 秘色瓷莲花碗 五代 通高13.5厘米 碗高8.9厘米 口径13.9厘米 盏托高6.6厘米 1956年维修苏州虎丘云岩寺塔时,塔内出土一件受世人瞩目的珍品——越窑青瓷莲花碗,它是一件越窑青瓷中的代表作,称得上“秘色瓷”中的稀有作品,精美绝伦,出类拔萃. 莲花碗由碗和盏托两部分组成.碗为直口深腹,外壁饰浮雕莲花三组,盏托的形状如豆,上部为翻口盘,刻划双钩仰莲两组,下部为向外撇的圈足,饰浮雕覆莲二组.该碗共由七组各种形态的莲花组成.瓷胎呈灰白色,胎质细腻致密,颗粒均匀纯净,托心平整,正中镂有一小圆孔直通器底,孔边刻“项记”窑工（作者）二字,施青釉,釉层厚且通体一致,光洁如玉,如宁静的湖水一般,清澈碧绿,正如唐陆龟蒙《秘色瓷器诗》中描绘的“九秋风露越窑开,夺目千峰翠色来”,和陈万里先生形容的“一泓清漪的春水”般的湖绿色,器形敦厚端庄,比例适度,线条流畅,丰腴华美,通体恰似一朵盛开的莲花,构思巧妙,浑然天成. 秘色瓷始烧于唐、五代和北宋初期,五代时吴越王钱氏建国,在浙江上林湖置官监窑烧制青瓷,被列为宫廷供品,庶臣不能使用. 荷花即莲花,自古以来被人们不厌其烦吟咏的题材,它那出淤泥而不染的君子美德赋予人格意义.荷花有着良好的生长环境和独特的娇艳娉婷的姿态,而更有清幽、恬适的微妙诗意境界,被文人逸士借景移情寄托多种情感和思绪.汉魏时期,随着佛教的传入,莲花就被融入一种神秘的宗教色彩,象征着极乐净土和再生的生命意义,成为佛教艺术的主要题材之一,被广泛用在净土环境、佛座、雕刻、绘画之中,由此可见,该莲花碗的设计者项氏不仅是一位匠心独具的造型艺术家,而且是一位虔诚的佛教信徒,所以说这件越窑青瓷莲花碗是一件境界极高的精神产品,佛法与艺术是如此完美地统一在这件举世无双的千古不朽之作中. 现藏于苏州博物馆.