理智与情感英文名

明星：休·格兰特英文名：Hugh Grant参与影片：《K歌情人/共谱恋曲 Music and Lyrics 》 (2007) ...Alex Fletcher《美国梦 American Dreamz 》 (2006) ...Martin Tweed《 Humbert Balsan, producteur rebelle 》 (2006) ...Acteur 'Travaux, on sait quand ça commence...' (archive footage)《 Travaux, on sait quand ça commence... 》 (2005) ...Le nouveau voisin《 Tsunami Aid: A Concert of Hope 》 (2005) ...Himself《 Comic Relief Does University Challenge 》 (2005) ...Himself《BJ单身日记2/BJ单身日记:爱你不爱你 Bridget Jones: The Edge of Reason 》 (2004) ...Daniel Cleaver《 Love Hollywood Style 》 (2004) ...Himself《 "Mioch versus Goderie" 》 (2004) ...Himself (1 episode, 2004)《 "Retrosexual: The 80's" 》 (2004) ...(archive footage)《 101 Biggest Celebrity Oops 》 (2004) ...Himself - #81: Celebrity Arrests (archive footage)《真情角落/真爱至上 Love Actually 》 (2003) ...The Prime Minister《 Comic Relief 2003: The Big Hair Do 》 (2003) ...Himself《 Total Cops 》 (2003) ...(archive footage)《 "4Pop" 》 (2003) ...Himself (2 episodes, 2003-2004)《 101 Most Shocking Moments in Entertainment 》 (2003) ...(archive footage)《两周情人 Two Weeks Notice 》 (2002) ...George Wade《关于一个男孩 About a Boy 》 (2002) ...Will《关于一个男孩 About a Boy 》 (2002) ...singer: "Killing Me Softly With His Song"《第74届奥斯卡金像奖颁奖典礼 The 74th Annual Academy Awards 》 (2002) ...Himself - Co-Presenter: Best Original Score《 Legend of the Lost Tribe 》 (2002) ...Blitzen (voice: English version)《BJ单身日记/布里奇特·琼斯的单身日记 Bridget Jones's Diary 》 (2001) ...Daniel Cleaver《 Being Mick 》 (2001) ...Himself《 The 'Billy Elliot' Boy 》 (2001) ...Himself (archive footage)《 Spotlight on Location: Notting Hill 》 (2001) ...Himself《 The Orange British Academy Film Awards 》 (2001) ...Himself《暴发户 Small Time Crooks 》 (2000) ...David Grant《 The Orange British Academy Film Awards 》 (2000) ...Himself《求婚脑震荡 Mickey Blue Eyes 》 (1999) ...Michael Felgate《诺丁山/摘星情缘/新娘百分百 Notting Hill 》 (1999) ...William Thacker《 Hooves of Fire 》 (1999) ...Blitzen (voice: US version)《 The Making of a Mobster: 'Mickey Blue Eyes' 》 (1999) ...Himself《 Comic Relief: Doctor Who and the Curse of Fatal Death 》 (1999) ...The (Handsome) 12th Doctor《 Junket Whore 》 (1998) ...Himself《 Off the Menu: The Last Days of Chasen's 》 (1997) ...Himself (with Liz Hurley) (uncredited)《 Happy Birthday Elizabeth: A Celebration of Life 》 (1997) ...《非常手段 Extreme Measures 》 (1996) ...Dr. Guy Luthan《理智与情感 Sense and Sensibility 》 (1995) ...Edward Ferrars《怀胎九月 Nine Months 》 (1995) ...Samuel Faulkner《浮华暂借问 Restoration 》 (1995) ...Elias Finn《第67届奥斯卡金像奖颁奖典礼 67th Annual Academy Awards, The 》 (1995) ...Himself (uncredited)《情比山高 Englishman Who Went Up a Hill But Came Down a Mountain, The 》 (1995) ...Reginald Anson《大冒险 Awfully Big Adventure, An 》 (1995) ...Meredith Potter《四个婚礼一个葬礼 Four Weddings and a Funeral 》 (1994) ...Charles (Wedding one)《相约在今生 Sirens 》 (1994) ...Anthony Campion《战栗夜色 Night Train to Venice 》 (1993) ...Martin Gamil《告别有情天 Remains of the Day, The 》 (1993) ...Cardinal《钥匙孔的爱 Bitter Moon 》 (1992) ...Nigel《亲亲吾子 Our Sons 》 (1991) ...James《春光奏鸣曲 Impromptu 》 (1991) ...Frederic Chopin《 Big Man, The 》 (1990) ...Gordon《 Lady and the Highwayman, The 》 (1989) ...Lord Lucius Vyne《 "Till We Meet Again" 》 (1989) ...Bruno de Lancel《浪漫骑士 Remando al viento 》 (1988) ...Lord Byron《蛇妖 Lair of the White Worm, The 》 (1988) ...Lord James D'Ampton《孟加拉之夜 Nuit Bengali, La 》 (1988) ...Allan《天伦梦醒 Dawning, The 》 (1988) ...Harry《欲望城 White Mischief 》 (1987) ...Hugh《墨利斯的情人 Maurice 》 (1987) ...Clive Durham《 "The Last Place on Earth" 》 (1985) ...Apsley Cherry-Garrard《牛津之爱 Privileged 》 (1982) ...Lord Adrian

这有啊，可在线欣赏，可下载

K歌情人 (2007) 美国梦 (2006) 驶向地狱的列车 (2004) BJ单身日记2：理性边缘 (2004) 真爱至上 (2003) 贴身情人 (2002) BJ单身日记 (2001) 时空窃贼 (2000) 求婚脑震荡 (1999) 诺丁山 (1999) 理智与情感 (1995) 怀胎九月 (1995) 情比山高 (1995) 大冒险 (1995) 四个婚礼和一个葬礼 (1994) 蛇妖 (1988) 墨利斯的情人 (1987)

这些电影包括：《虎胆龙威》(Die Hard)、《艺海奇缘》(An Awfully Big Adventure)、《天生赢家》(Bob Roberts)、《一屋一鬼一情人》(Truly Madly Deeply)、《闭上眼睛》(Close My Eyes)、《耀武扬威》(The January Man)和《银河访客》(Galaxy Quest)。 他还主演了《梅斯梅尔》(Mesmer)，并因此被评为蒙特利尔电影节最佳男演员。他因出演《理智与情感》(Sense & Sensibility) 和《迈克尔·柯林斯》(Michael Collins) 而获得了英国电影和电视艺术学院奖提名，因《侠盗王子罗宾汉》(Robin Hood:Prince of Thieves)而获得了英国电影和电视艺术学院最佳男配角奖。因《一屋一鬼一情人》、《闭上眼睛》和《侠盗王子罗宾汉》而被评为本年度伦敦标准晚报最佳男演员。最近的电影作品包括：《爱情洗剪吹》(Blow Dry)、《寻找约翰·吉辛》(The Search for John Gissing) 和《剧本》（Play，Beckett on Film 出品，安东尼·明格拉 (Anthony Minghella) 导演）。 瑞克曼因在 HBO 的《拉斯普钦》(Rasputin) 中扮演神秘的俄国修道士而获得 1996 年艾美奖、金球奖和美国演员协会奖最佳男主角。其他电视作品包括：《恩人》(Benefactors)、《革命见证》(Revolutionary Witness)、《男儿气概》(Spirit of Man)、《往日憾事》(Pity in History)、《巴切斯特传》(Barchester Chronicles)、《逮捕》(Busted)、《弑夫情案》(Therese Raquin) 和《罗密欧与朱丽叶》(Romeo & Juliet)。 瑞克曼所导演过的作品包括在西区剧院与卢比·瓦克斯 (Ruby Wax) 合作的《瓦克斯表演》(Wax Acts)、在伦敦的 West Yorkshire Playhouse 和 Almeida 剧场导演的《冬天里的来客》（The Winter Guest，由 Sharman MacDonald 编写）。随后，他又导演（并与麦克唐纳 (MacDonald) 合编）了电影版的《冬天里的来客》，由埃玛·汤普森 (Emma Thompson) 出演。该片经官方推选，在威尼斯电影节中获得三个奖项，之后又在芝加哥电影节中获得最佳故事片奖。瑞克曼在舞台剧方面同样享有盛名。他是皇家莎士比亚剧团的成员之一，曾在西区剧院和百老汇主演《危险关系》(Les Liaisons Dangereuses)，并获托尼奖提名。其他 RSC 作品包括：《靡菲斯特》(Mephisto)、《特罗洛斯与克莉西达》(Troilus and Cressida)、《皆大欢喜》(As You Like It)、《爱的徒劳》(Love's Labour's Lost)、《安东尼与克莉奥佩特拉》(Antony and Cleopatra)、《舰长之舞》(Captain Swing) 和《暴风雨》(The Tempest)。不过，他的大多数舞台作品都是现代舞台剧，包括：在 Glasgow Citizens 上演的《第三帝国的忧虑与悲难》(Fears and Miseries of the Third Reich)、在 Crucible Sheffield 上演的《康乃馨游戏》(The Carnation Game) 和《夏日舞会》(The Summer Party)、在 Bush Theatre 上演的《承诺》(Commitments) 和《最后一头大象》(The Last Elephant)、在 Hampstead Theatre Club 上演的《脏话》(Bad Language)、《草寡妇》(The Grass Widow)、皇家宫廷剧团的《幸运的机会》(The Lucky Chance) 和《海鸥》(The Seagull)。 在国家剧院，瑞克曼主演了《安东尼与克莉奥佩特拉》；在 Riverside Studios，他在罗伯特·斯特拉（Robert Sturua，乔治亚洲 Rustaveli Theatre 的著名导演）导演的《哈姆雷特》(Hamlet) 中担任主演。瑞克曼还在爱丁堡艺术节亮了三次相：参加演出双剧目《猛兽是只驴》(The Devil is an Ass) 和《量罪记》（Measure for Measure，曾在欧洲巡回上演）、《卡拉马佐夫兄弟》（Brothers Karamazov，之后在苏联巡回上演）和 Yukio Ninagawa 的《冬末探戈》（Tango at the end of Winter，后来在西区剧院上演，获得了 Time Out Award 最佳男演员奖）。 瑞克曼最近在西区剧院主演了诺·考德 (Noel Coward) 的《私生活》(Private Lives)，广受好评。他获得了 Variety Club Award 和 Theatre Goers Award 的最佳男演员奖，并获奥利弗奖和伦敦标准晚报奖提名。该剧在 Albery Theatre 上演时剧场满座，之后在百老汇上演。 下载电影的地址。我没下，不知道好不好使。你下看看。

Sense and Sensibility is a novel by Jane Austen that was first published in 1811. It was the first of Austen's novels to be published, under the pseudonym "A Lady." The novel has been adapted for film and television a number of times, most notably in Ang Lee's 1995 version.Plot introductionThe story concerns two sisters, Elinor and Marianne Dashwood (Elinor representing "sense" and Marianne "sensibility"). Along with their mother and younger sister Margaret, they are left impoverished after the death of their father, and the family is forced to move to a country cottage, offered to them by a generous relative.Elinor forms an attachment to the gentle and courteous Edward Ferrars, unaware that he is already secretly engaged. After their move, Marianne meets Willoughby, a dashing young man who leads her into undisciplined behaviour, so that she ignores the attentions of the faithful (but older) Colonel Brandon. The contrast between the sisters' characters is eventually resolved as both find love and lasting happiness.Publisher Comments:A timeless tale of romantic manners and mores in which two vastly different sisters experience love and loss under the rigid view of British society.The life and work of Jane AustenJane Austen was born at Steventon on December 16, 1775, the youngest of seven children. She received her education—scanty enough, by modern standards—at home. Besides the usual elementary subjects, she learned French and some Italian, sang a little, and became an expert needle-woman. Her reading extended little beyond the literature of the eighteenth century, and within that period she seems to have cared most for the novels of Richardson and Miss Burney, and the poems of Cowper and Crabbe. Dr. Johnson, too, she admired, and later was delighted with both the poetry and prose of Scott. The first twenty-five years of her life she spent at Steventon; in 1801 she moved with her family to Bath, then a great center of fashion; after the death of her father in 1805, she lived with her mother and sister, first at Southampton and then at Chawton; finally she took lodgings at Winchester to be near a doctor, and there she died on July 18, 1817, and was buried in the cathedral. Apart from a few visits to friends in London and elsewhere, and the vague report of a love affair with a gentleman who died suddenly, there is little else to chronicle in this quiet and uneventful life.But quiet and uneventful though her life was, it yet supplied her with material for half a dozen novels as perfect of their kind as any in the language. While still a young girl she had experimented with various styles of writing, and when she completed "Pride and Prejudice" at the age of twenty-two, it was clear that she had found her appropriate form. This novel, which in many respects she never surpassed, was followed a year later by "Northanger Abbey," a satire on the "Gothic" romances then in vogue; and in 1809 she finished "Sense and Sensibility," begun a dozen years before. So far she had not succeeded in having any of her works printed; but in 1811 "Sense and Sensibility" appeared in London and won enough recognition to make easy the publication of the others. Success gave stimulus, and between 1811 and 1816, she completed "Mansfield Park," "Emma," and "Persuasion." The last of these and "Northanger Abbey" were published posthumously.The most remarkable characteristic of Jane Austen as a novelist is her recognition of the limits of her knowledge of life and her determination never to go beyond these limits in her books. She describes her own class, in the part of the country with which she was acquainted; and both the types of character and the events are such as she knew from first-hand observation and experience. But to the portrayal of these she brought an extraordinary power of delicate and subtle delineation, a gift of lively dialogue, and a peculiar detachment. She abounds in humor, but it is always quiet and controlled; and though one feels that she sees through the affectations and petty hypocrisies of her circle, she seldom becomes openly satirical. The fineness of her workmanship, unexcelled in the English novel, makes possible the discrimination of characters who have outwardly little or nothing to distinguish them; and the analysis of the states of mind and feeling of ordinary people is done so faithfully and vividly as to compensate for the lack of passion and adventure. She herself speaks of the "little bit (two inches wide) of ivory on which I work," and, in contrast with the broad canvases of Fielding or Scott, her stories have the exquisiteness of a fine miniature.