小白贼黑
The Universal StoryFrom the turn of the 19th century and on, there are documented discussions between writers and theorists who noticed that the similarities in story went beyond specifi c regions, cultures,and time periods. [2] Some of them theorized that this was because humankind had similar natural phenomena that needed to be explained. This might be the reason for similarities intheme, but didn’t explain the similarities in story and plot.All of these stories followed a three-act structure that had first been defined by Aristotle nearly 2,300 years ago. Aristotle called this structure Plot. Plot was not just the sequence of eventsin a story, but also the emotions that were necessary to move the audience through the story.In the first act, pity and empathy must be established for the hero so that the audience cares about the character and will engage in his pursuit. Then, the second act is the scene of sufferingand challenge, creating fear and tension surrounding the hero and his challenges. In the final act, fear and tension are released by catharsis, the emotional release that allowsfor closure to end the story. [3]In the 20th century, Joseph Campbell, an American mythology professor, writer, and orator,began to think that he understood reasons for the similarities in story that went beyond the experience of external phenomena. Campbell worked in the fields of comparative mythologyand comparative religion studying stories. What he found was that there were universal images and characters that existed in one story shared by all cultures through all timeperiods. Because this story occurred again and again, he called it the monomyth—the one story, the universal story.通用的故事 从19世纪之交，在有记载的作家和理论家之间的讨论，谁注意到，在故事的相似之外号规格C区，文化了， 和时期。 [2]，其中有一些专家推断，这是因为人类需要有类似的自然现象加以解释。这可能是对相似性的原因在 的主题，但没有说明故事情节的相似性。 这些故事都奉行三幕结构最初是由亚里士多德确定近2300年前。亚里士多德称这种结构图。阴谋不仅是事件序列 在一个故事，而且人的情绪，有必要通过移动故事的观众。 在第一幕，怜悯和同情，必须建立为英雄让观众关心的性质，并参与他的追求。然后，第二个行为是对sufferingand挑战现场，制造恐惧和紧张周围的英雄和他的挑战。在最后的行为，恐惧和紧张是宣泄释放，释放的情绪，使 封闭结束的故事。 [3] 在20世纪，约瑟夫坎贝尔，美国神话的教授，作家和演说家， 开始认为，他理解的故事相似，超出了外部现象的经历的原因。坎贝尔曾在比较神话领域 和比较宗教学的故事。他发现的是有普遍的图像，而且在所有文化的共同所有的时间，通过一个故事存在的字符 期。因为这个故事发生一次又一次，他把它叫做monomyth，一个故事，普遍的故事。是有点多，但是为了分！
王大锤哇
暗中策划[做坏事]
秘计，诡计。即引导对方犯大家公认的错误，方法是基于事实的谎言。一般为贬义词。 更多→ 阴谋
conspiracy; gauce; plot; scheme
