英语导游词100词

英语导游词作文

一篇完整的`导游词，其结构一般包括习惯用语、概括介绍、重点讲解三个部分。那大家会用英语写一份导游词吗？下面是我为大家整理的英语导游词作文，供大家参考。

Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.

In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.

After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.

Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”

Emperor Qin Shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.

No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.

No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.

No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.

No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.

The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasy. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.

No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from 1988.

中国作为古代四大文明古国之一，许多著名景点吸引了各国各地友人慕名而来。下面是我为你们整理出来的一些英文 导游词 范文 ，希望能帮到你们。

英文导游词范文1

Hello, everyone! I am a small tour guide Chen Mingxiao. Welcome to the magnificent the Great Wall. Today, I am honored to introduce to you the the Great Wall, the great ancient Chinese architecture. Now, let's start a tour of the Great Wall!

As the saying goes, "less than the Great Wall is not a good man", climbing the Great Wall must have perseverance and unyielding perseverance and determination, and can not give up halfway. We can watch and climb on the other side. Let me first introduce the Great Wall to you: the Great Wall is made up of Guan Cheng, enemy building, smoke pier, Beacon Tower, enemy platform, wall platform, woo wall, stack, hole, perforation, etc. The Beacon Tower and the mound are used to deliver the enemy. During the day, smoked on smoked pits, and the number of smoke piles represents the number of enemy soldiers. I can't see the smoke at night and make a fire on the Beacon Tower. This way of transmitting information was the fastest and most effective in that era, and Beacon Tower played a very important role.

At this time, I saw a child climbing on the wall. I held him down and said to everyone, "please be careful not to climb on the wall. It is very dangerous. Outside the wall is a dangerous mountain. Falling down is not fun! "

Now, let me tell you more about the story of the Great Wall: Once upon a time, there was a man named Meng Jiangnu who went to dress for her husband who repaired the Great Wall. She went to the Great Wall, but she didn't find her husband. She quickly asked others that he had been buried in the Great Wall. She cried and cried for many years. Finally, she cried down the Great Wall and finally saw her husband.

The Great Wall is beautiful, magnificent, winding, and you are welcome to visit it.

英文导游词范文2

ladies and gentlemen , welcome to Fenghuang, the place where were arriving is one of the two most beautiful town in China----the old town of fenghuang, its a very important point that connects huaihua hunan and tongren guizhou together.and its the hometown of mr shengcongwen.

fenghuang has wonderful natural landscapes,its very hot for travelling since the old time. even a lot of teleplays were produced here.fenghuang is also a dradle for famous people ,shencongwen and xiongxiling are both spent their childhood here.now, lets set out to enjoy these fantastic good views.

THE FORMER RESIDENCE OF SHENCONGWEN

This is the former residence of shencongwen,a very famous auther, archaeologist and historian in china.

lined in the zhongying street in the south part of the fenghuang old town, the residence is a typical spacious ancient countryard with special tectonic style of ming and qing dynasty. walk into the yard, you can find that there is a small patio in the center of the countryard. which is built with red rock. around the patio , there are about 10 rooms which are small but decorated by special carved wooden windows .its so beautiful.

common people,and know their tragic lives. this special experience stunned up his enthusiasm of writhing . so in 1919, mr shen went to beijing alone, and began his hard writing . after his series of works WEST OF HUNAN FRINGE TOWN were punished, mr shen became nation -wide well -known.at that time, he was even as famous as luxun, another famous auther in chiese literature area. its said that shencongwen is the one who is the most possible to win the prize.

mr shen devoted all his life to writing,his 5-million word works are though as the precious legacy to the world literature.meanwhile, these works are also very veluable date for researching the history of hunan province and even china.

英文导游词范文3

Ladies and gentlemen, this time we are going to visit the famous Pingyao County. Pingyao County is one of the cultural heritages of the world heritage list. Please keep the floor clean during the tour. If you have any questions, you can ask me.

We first came to the first tourist spot: South Street. The composition of Pingyao County is crisscrossed four streets, eight small streets, seventy-two winding streets, and now we come to the South Street of four Avenue. You see, on both sides of the street, old and famous shops are flourishing traditional commercial streets. During the Qing Dynasty, South Street controlled more than fifty percent of the financial institutions in the country.

West Street is known as "the first street of Finance in Qing Dynasty", and it is a main street directly connected with East Street. And the East Avenue North and South Street intersection, North Street is to the west central street.

Eight small streets and seventy-two lanes are named in the nearby buildings or marked signs; some are named in the temple temple; some are named in a city in the city; and some streets and lanes have been unable to explore the source of the name.

There are many beautiful legends in Pingyao County, such as sleeping aunts and drug wives, and burning Town God's Temple. Please take a good tour of this beautiful ancient city.

英文导游词范文4

Everybody is good! Welcome to the Palace Museum tourists sightseeing. Today, I will take you visit the Forbidden City, in the hope that visitors can enjoy me!!!!!!!

The tourists! The Palace Museum is in the Ming and qing dynasties imperial palace, the Forbidden City built on the basis of a collection of ancient buildings, collection, imperial palace culture art as one of the large-scale comprehensive museum. The Forbidden City covers an area of about more than 100 square meters, construction area of about 1 square meters. A total of 24 emperors lived in the Forbidden City, the first is the Ming dynasty yongle emperor zhu di, the last one is the qing dynasty xuantong emperor, puyi, ruled the country for 491 years. So the Palace Museum of history is very long!

Visitors, please look up, this is the meridian gate, in ancient times, what kill people to kill in front of the meridian gate! From the meridian gate, we can see the jinshui bridge. From the jinshui bridge in the past, a gate, can see the Palace Museum of taihe palace, zhonghe palace and Baohe Palace, is the place where the emperor emperor, very grand. Out of Baohe Palace, a gate of heavenly purity, came to the palace of heavenly purity, this temple and palace of earthly tranquility, legend built the Forbidden City, is in order to world peace, to take these three places? Kun ning door, is the imperial garden, the garden scenery beautiful, there are a number of strange stone, come across these stones, remember pictures to commemorate!

Before the gate is her virginity and creature door, our trip to the Forbidden City is over. Look at this magnificent palace, and some loathe to give up?

英文导游词范文5

Entering the Meridian Gate, there are five marble bridges on the Inner Golden Water River, shaped like a bow. The five marble bridges just look like five arrows reporting symbolically to heaven. The five bridges were supposed to represent the five virtues preached by Confucius-benevolence, righteousness, rite, intelligence and fidelity.

Across the Inner Golden Water Bridge, we get to the Gate of Supreme Harmony. During the Ming and early Qing dynasties, here was the place where the emperor gave his audience, accepted documents from his ministers and made decisions here. There are two bronze lions guarding in front of the Gate of Supreme Harmony. The male lion was usually put on the left, playing with an embroidered design ball, which is said to show the emperor's supreme power. The other one on the right is the female lion, playing with a lion cub with its left paw symbolizing prosperity of the royal family's offsprings.

Across the Gate of Supreme Harmony , we come to the Hall of Supreme Harmony. Here the emperor held grand ceremonies such as the emperor's enthronement ceremony, the wedding ceremony, dispatched generals to the battles, and the emperor received the successful candidates of the imperial examination etc. Also, the emperor held grand feasts each year on New Year's Day, Winter solstice and his own birthday.

The Hall of Supreme Harmony is 35.5 meters high with double layered roof that represents the highest construction rank of all. Now, let's ascend the stairs and move on to look at articles in display on two sides of the hall. On the top layer of the terrace stands a sundial on the east an imperial grain measure on the west. The sundial is an ancient time measure or a time-measuring apparatus used in the old days. The sundial tells the time by seeing the shadow of the metal pin on the sundial, which has an inclination angle of 50 degrees with the graduation on it. The grain measure was used as the national standard measure in agriculture in the old days. Both the grain measure and the sundial were symbols of the emperor's justice and rectitude.

There are two pairs of incense burners in the shape of bronze dragon-headed tortoises and bronze cranes placed on each side. They are both symbols of longevity.

When you look up the building in the Forbidden City, you can see mythical animal statues on the eaves of each building. Originally, there used to be big wooden nails on the roof to prevent the tiles from sliding down. Later they were replaced by glazed tiles, which were shaped into mythical animal statues for better beautification. They are symbols of auspiciousness and peace, and people believed that they are capable of subduing fire and warding off evil spirits.

Inside of the Hall of Supreme Harmony, you can see the gilded caisson ceiling high above the throne with a magnificent sculpture of a curling dragon playing with a huge pear was called “Xuanyuan Jing”， representing orthodox succession.

This hall is supported by 72 giant columns inside. In the old days, the traditional way of the Chinese to calculate a “room” is that: a square enclosed by four pillars was treated as one “room”， so the hall can be said to have 55 “rooms” in total. The six columns inside are gilded and painted with coiled dragon amidst clouds, and the rest are painted red.

The emperor's throne is placed on the dais in the center, and carved in cloud and dragon patterns and gilded. On both sides of the throne are a pair of elephant-shaped incense burners symbolize universal peace and two incense burners shaped as a mythical animal 9,000 kilometers per day and speaking all the languages of nearby kingdoms. Around the throne stand a pair of bronze cranes and in front of the dais is four cloisonné incense burners. The floor on the ground is paved with “Gold Bricks”， specially made in Suzhou.

The Hall of Middle Harmony is a square-shaped hall with a single pyramidic roof standing behind the Hall of Supreme Harmony. This was the place where the emperor would take a short rest before he went to the Hall of Supreme Harmony for grand ceremonies. Every year before the emperor went to the Altars and Temples, the emperor would receive and read the sacrificial address here.

Before the emperor went to the Altar of Agriculture for offering the sacrifice, the seeds intended for spring sowing and the ploughs were examined here, just to show the concern of the emperor for agriculture.

According to the rule, the imperial genealogy should be revised every ten years. The ceremony of presenting the genealogy to the emperor for revision and approval would also be held here.

Now, we come to the Hall of Preserving Harmony, the last of the three front halls.

In the Ming and Qing dynasties, on each New Year's Eve and the 15th day of the lunar moth, banquets would be held to entertain the civil and military officials and the princes and envoys of the Mongolian nobles and other nationalities. To celebrate the princess's marriage, the emperor would incite the bridegroom and his father as well as their relatives who served for the imperial government to a banquet.

The Imperial Palace Exam was held here once every three years in the Qing dynasty.

Just behind the Hall of Preserving Harmony, there is a big Marble Rampcarved with mountain cliffs, sea waves, clouds and nine dragons. It is 16.57 meters long, 3.07 meters wide and 1.7 meters thick, and weighs about 250 tons.

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