大碗碗儿
“十八相送”是是中国四大传说之一《梁山伯与祝英台》的一个美丽场景。按照传说，从红罗山书院到祝英台家，正好十八里路，到梁山伯家，也大约是十八里。因此才有“十八相送”的情节。
越剧版《梁山伯与祝英台》取材自中国古代四大传说(《梁祝》、《白蛇传》、《孟姜女》、《牛郎织女》)之一的《梁山伯与祝英台》。
梁祝传说是我国最具辐射力的口头传承艺术，也是惟一在世界上产生广泛影响的中国民间传说。梁祝故事在民间流传已有一千四百六十多年，可谓中国家喻户晓，流传深远，被誉为爱情的千古绝唱，更被誉为“中国民间文化”中的经典!
扩展资料：
「梁山伯与祝英台」的「十八相送」故事中的隐喻可用三个过程来呈现心理空间的融合现象，即组合、完成、及执行三个过程。
在「组合」的过程中，由于祝英台是女扮男装，梁山伯相信心理空间中对于梁山伯与祝英台的预设为「男－男」，这个预设随着言谈的进行向下扩展。
因此对于祝英台种种关于男女的比喻，皆无法在心理空间融合的「完成」阶段形成祝英台所希望的比喻投射，仅能取其字面上的意义，例如对于「公鹅与母鹅」的比喻，梁山伯以「未曾看见鹅开口，那有母鹅叫公鹅」来回应。
当祝英台提到家中有九妹想介绍给梁山伯时, 梁山伯的预设空间中的梁祝，变成了梁山伯和九妹，形成「男—女」的关系，梁山伯的心理空间融合，在此时进行第三个过程「执行」。
他的新预设向上漂流，对于言谈中所提过的字面意义，于此时重新诠释为比喻意义，因此以「无怪出言多比喻，原来一味想联婚」来回答，刚刚的不可能，太荒唐。
梁山伯预设中的九妹换成了祝英台，心理空间的融合重新执行，新预设再度向上漂流，对于言谈中所形成的比喻意义，亦于此时重新诠释为另一个比喻意义，这部分可以在回十八「访英台」中得到印证。
透过本文的探讨，可以了解「梁山伯与祝英台」电影何以如此脍炙人口，令观众百看不厌，其巧妙地运用隐喻的各种技巧，是其吸引人心的重大助力。
透过心理空间理论的探讨，更可印证隐喻是一种语意融合的现象，此融合的过程可以随着言谈的进行与新的讯息重新组合，产生新的意义。
参考资料来源：百度百科_十八相送
海棠花花
3.2.3 positive and negative "In the last expression of love," Luo Zhu "and" Butterfly Lovers "is a clear distinction between the former warm, which implicitly; in the fight for love and the courage to approach the former is a positive and effective, and the latter almost no effective struggle Means the loss of his young life, though both are run through a main line, but the former than the latter complex, in the language have reached a high degree of technical proficiency on the state, has a strong influence. "⑥ In the language, Shakespeare's Romeo and Juliet use the most direct and the fiery language of love for each other, their love is boundless. This Romeo and Juliet in the balcony of the meet in dialogue or two of the survey: 'Oh, speak again, bright angel, for such you appear, being over my head, like a winged messenger from heaven whom mortals fall back to gaze upon.' (ibid,: 20) "How came you into this place," said Juliet, 'and by whose direction?' "Love directed me," answered Romeo. "I am no pilot, yet 'wert thou as that vast shore which is washed with the farthest sea, I should venture for such merchandise." (ibid,: 24) In the attitude of love, Romeo and Juliet meet for the first time on the other side was attracted by the beauty, love hot, can not stop. They love after the first friend, that love is the most typical in the West. During the operation, Romeo and Juliet will take positive and effective way to defend each other's love. Juliet was forced to learn to be married, skillfully deceive his mother, Romeo and marriage. In order to defend their own well-being, she did not hesitate to suspended animation. Romeo together to make the first sparks of love, love with impunity. They can see that love in order to take action, courageously for the love of all pay. The Butterfly Lovers on the expression of love in a very subtle, Butterfly Lovers classmate three years, but there is no direct expression of love; up to bid farewell soon, and Chu Ying-tai is also implicitly by love-Habitat, with the result that Love has not knowing for The tragedy of love have planted the check line. Second, the treatment of Butterfly Lovers love the attitude is very calm, rational and mature. Love in the development of their friendship, and learning to live with. After the first phase of their friend Xu, is a plain, long-lasting love. Finally, in defense of the way of love, Butterfly Lovers In spite of the fate of their resistance, but it is a passive act, it is extremely painful, take to put up with the negative way to receive their tragic love. At a critical moment, Butterfly Lovers has not boldly discuss solutions, not open to the struggle for true love, but the plot into a bad disease, both Xunqing. "Luo Zhu Butterfly Lovers and the comparison of the two plays in Romania in the fight for love on the road than the courage of Love, 'balcony will be' than 'Rendezvous' touching, and more.' Shibaxiangsong 'wish Taiwan, China and Britain to use the language of metaphor to express the ups and downs of her love of Love. 'Balcony will be', Mr Lo has the most direct, passionate language to express the love between the two sides. "⑦" both in the performance of the opera Western ethnic groups in the ethical, emotional expression, love the way of significant difference. But in any case, their pursuit of true love and treasonable sense of the tragic outcome of the performance in the Western love of the common characteristics of the literature. "⑧ Bold in the West warm, positive autonomy, China's implicit, to put up with a negative way, leading to two different ethnic structure of the psychological and personality characteristics of these two tragedies in the work of shaping the character of the people, love the attitude of To defend and love are very different way.
冒冒爱雨雨
十八相送是梁山伯与祝英台故事中的一段，梁山伯与祝英台的经典爱情早已深深的进入我们每个人的心里，他们用生命来歌颂爱情。
“十八相送”是中国四大传说之一《梁山伯与祝英台》的一个美丽场景。按照传说，从红罗山书院到祝英台的家，正好十八里路，到和孝镇梁岗梁山伯的家，也大约是18里。祝英台家在书院东北，梁山伯家在书院西北，而两家到书院的路都必须经过曹桥，曹桥到书院为8里。
祝英台和梁山伯的家距红罗山书院十八里，因此才有“十八相送”的情节；两人到书院去都要途经曹桥，因此才有“草桥结拜”的情节。
扩展资料：
在这出看似简单的惜别相送的戏中，看似简单的情节却孕育了复杂而真挚的情感，可望而不可及的无奈，欲说还羞的担忧，直抒胸臆的表白，以及含沙射影的真情流露，让我们看到了离别之外的别的情绪表达。在这出戏中，情景交融之情和写实与写意的相互结合，更好地丰富了演员的表演。
越剧就其本身而论，其腔调和曲词多婉转优雅，听上去声声入耳，质朴无华。在《十八相送》这出选段中，伴奏更是欢快活泼，让人心情愉悦，很难听出其中的离别悲凉之感，而更多的则是听到了两者细腻而真挚的爱慕之情，是暖人之意。
参考资料来源：百度百科-十八相送
