皮影戏的继承英语

Shadow Puppet PlayThe shadow puppet play, also called "shadow play", is a drama form in which the player holds the human figures that are engraved by the animal hides with colored paintings, and reflected on the curtain through the light, singing and dancing controlled by the player with the silk string, gongs and drums music, playing a series of stories. It is widely spread in most regions in China, except Tibet and Xinjiang, with different styles of shadow puppet play in different places. However, the characters shaping and performance skills are all quite exquisite, with play themes including the Chinese ancient magic, myths, religions, monarchs, legal cases, wars, as well as talented scholars and pretty ladies, the secular life and etc.The shadow puppet play with written records dated back to the Song Dynasty, and Bianliang, the capital of the Northern Song Dynasty had had the performance of shadow play yet. At that time, the shadow plays were divided into the shadow hand play, the shadow puppet play (including the shadow paper play), and the large shadow play. Many grand occasions of the performances had been recorded by the Song people. While in Yuan Dynasty, owning to the westward conquest by the Mongolia troops, the Chinese shadow plays were introduced into the Middle East, Arab, Turkey, Egypt, and other countries, and later brought to some East European countries. In Ming and Qing Dynasties, the contents and forms of the shadow plays had some new developments, thereby forming the various genres with local colors.The principle and methods of shadow performance adopted by the shadow puppet played an important leading role in the invention of the modern movie and the development of the movies and cartoons. Nowadays, the Chinese shadow puppet plays have been collected by the museums of many countries in the world; meanwhile they are the best presents sent by the Chinese governmental leaders for their foreign counterparts.【翻译】影子木偶戏影子木偶戏，也称为“皮影戏”，是一种戏剧形式，其中玩家持有由动物隐藏着彩色绘画的人物，并通过灯光，歌舞和舞蹈控制在窗帘上反映出来玩家用丝绸串，锣鼓音乐，演奏一系列故事。它在中国大部分地区广泛传播，除了西藏和新疆，在不同的地方有不同风格的影子木偶戏。然而，角色塑造和表演技巧都相当精致，包括中国古代魔法，神话，宗教，君主，法律案例，战争以及有才华的学者和漂亮的女士，世俗生活等等的戏剧主题。影子木偶与宋代的书面记录相比，北宋的首都卞良也曾经有过影子的演出。那时候，阴影戏就分为阴影手戏，阴影木偶剧（包括影影纸）和大影子戏。宋人录下了许多盛大的演出场合。在元朝，由蒙古部队向西征服，中国的影子被引进中东，阿拉伯，土耳其，埃及等国家，后来被带到东欧国家。在明清时期，影子的内容和形式有一些新的发展，从而形成了具有当地色彩的各种流派。阴影木偶采用的阴影表演的原理和方法，在现代电影发展和电影漫画发展中起着重要的主导作用。如今，中国的影子木偶戏是世界许多国家的博物馆收藏的，同时他们也是中国政府领导人为外国同行发出的最好的礼物。