英语书法历史

国外的字体很多,其实就是书法的体现

Introduction to Chinese Calligraphy Chinese calligraphy (Brush calligraphy) is an art unique to Asian cultures. Shu (calligraphy), Hua (painting), Qin (a string musical instrument), and Qi (a strategic boardgame) are the four basic skills and disciplines of the Chinese literati. Regarded as the most abstract and sublime form of art in Chinese culture, "Shu Fa" (calligraphy) is often thought to be most revealing of one's personality. During the imperial era, calligraphy was used as an important criterion for selection of executives to the Imperial court. Unlike other visual art techniques, all calligraphy strokes are permanent and incorrigible, demanding careful planning and confident execution. Such are the skills required for an administrator / executive. While one has to conform to the defined structure of words, the expression can be extremely creative. To exercise humanistic imagination and touch under the faceless laws and regulations is also a virtue well appreciated. By controlling the concentration of ink, the thickness and adsorptivity of the paper, and the flexibility of the brush, the artist is free to produce an infinite variety of styles and forms. In contrast to western calligraphy, diffusing ink blots and dry brush strokes are viewed as a natural impromptu expression rather than a fault. While western calligraphy often pursue font-like uniformity, homogeneity of characters in one size is only a craft. To the artist, calligraphy is a mental exercise that coordinates the mind and the body to choose the best styling in expressing the content of the passage. It is a most relaxing yet highly disciplined exercise indeed for one's physical and spiritual well being. Historically, many calligraphy artists were well-known for their longevity. Brush calligraphy is not only loved and practiced by Chinese. Koreans and Japanese equally adore calligraphy as an important treasure of their heritage. Many Japanese schools still have the tradition of having a student contest of writing big characters during beginning of a new school year. A biannual gathering commemorating the Lanting Xu by Wang Xi Zhi (The most famous Chinese calligrapher in Jin dynasty, ) is said to be held ceremonially in Japan. There is a national award of Wang Xi Zhi prize for the best calligraphy artist. Not too long ago, Korean government officials were required to excel in calligraphy. The office of Okinawa governor still displays a large screen of Chinese calligraphy as a dominating decor. In the West, Picasso and Matisse are two artists who openly declared the influence by Chinese calligraphy on their works.多谢你采纳了我的二个答案。但中国书法这篇不行吗？这是专门介绍中国的书法（毛笔书法）的。再奉上另一篇：Chinese Calligraphy The Chinese Brush Calligraphy is one of the traditional four arts which was once an important critical standard for the Chinese literati in the imperial era and now prevails not only in China but also worldwide as a unique branch of art. Calligraphy is so abstract and sublime that in Chinese culture it is universally regarded to be the most revealing power of a person. While one has conformed to the defined structure of words, the expression can be displayed with great creativity by individuals. To become an artist or expert in calligraphy, one has to practice word by word and stroke by stroke until the spirit of the practice gets into one's mind. Just as Chinese Qi Gong, the Chinese brush calligraphy can temper a person into a state in which one can apply subconsciousness got from the daily practice to control the concentration of ink and the compatibility of font and size of each piece or word. In contrast to the Western calligraphy, diffusing ink blots and dry brush strokes are viewed as a natural and free impromptu expression. All the varieties of the operation depend on the mental exercise that coordinates the mind and the body to perform the proper sense to choose the proper way in expressing the content of the passage. Calligraphy is considered as an active way of keeping one fit and health for the practice is either relaxing or self-entertaining. Historically, many calligraphy artists both in China and Japan were well known for their longevity.

国内普遍观点认为，花体英文是一种英文字体类别，这种类别为国内书法，国外并没有这种字体分类。Jason Stoneheart考据称，花体是“ornamental penmanship”的不当翻译，英文本意为装饰性强的写法，应并不特指一种字体。但在历史使用中“ornamental penmanship”常被用来指称“斯宾塞”体与其变体。“铜板体”和“斯宾塞体”是两种相似的字体，都运用了装饰性的写法。“ornamental penmanship”一词传入中国时，因其概念并不明确，翻译为花体而其所指范围比“ornamental penmanship”范围更大。在中国，花体常被用来指称“铜板体”和“斯宾塞体”。因“圆体”（English Round）在国外亦有时指称“铜板体”，故花体与“圆体”亦有概念竞合之处。[1]花体英文特色有二：1.粗细变化 2.游丝 3.排版

Easier - Calligraphy is the art of making beautiful or elegant handwriting. It is a fine art of skilled penmanship. Harder - The word calligraphy literally means beautiful writing. Before the invention of the printing press some 500 years ago, it was the way books were made. Each copy was handwritten out by a scribe working in a scriptorium. The hand writing was done with quill and ink onto materials like vellum or parchment. The lettering style applied was one of the period bookhands like rustic, carolingian, blackletter, etc. Today, there are three main types or styles of calligraphy: (1) Western or Roman, (2) Arabic, and (3) Chinese or Oriental. This project focuses mainly on Western calligraphy with a glimpse at the other two styles.

中国书法的书籍为什么用硬管介绍啊？都是中国人自己交流体会的收益。