萝卜的破哥哥
Foguang Temple The Foguang Temple is located on a slope of 32 kilometres to the north east of Wutaixian County , amidst a grove of trees. Construction be-gan during the northern Wei dynasty (471-499)m and the most famous of its halls, the Hall of the Great Buddha, is in a style unique to the Tang dynasty. It is the oldest wooden structure now extant. The hall stands on a high platform and consists of seven bays and measures 32 metres in height from the platform surface to the top of the ridge-end ornament. This magnificent wooden structure is decorated with murals of faces and figures. Foguang Temple was damaged in 845 during the Fifth Year O? the Reign of Wuzhong of the Tang Dynasty and rebuilt in 857 by Emperor Xuan Zhong of the Tang dynasty. Since it has under-gone renovation and reconstruction throughout the long history, so that only the existing primitive and simple and hexagonal Zhu Shi Pagoda (Founder of Buddhism) dates from the Northern Wei dynasty . ( In 845, Emperor Wu Zhong abolished Buddhism and burned down Buddhist temples including the Foguang Temple. After Xuan Zhong succeeded to the throne , the first thing he did was to restore Buddhism and rebuild Foguang Temple, also known as the Temple of Buddha's Halo. The temple of Buddha's Halo included : the Hall of the Great Buddha ( the Eastern Hall ), the Wenshu () Hall, the Shanmen Gate (Lokapala), the hall of Kasyapa , Wan Shan Tang Hall, Xiangfeng Huayu Building, wing-rooms and grottoes. All are masterpieces in ancient Chinese architecture. Now there are many Tang Dynasty statues, murals of faces and figures , stone (round or hexagonal)pillars with Buddhist inscriptions, inscriptions of Chinese calligraphy and white marble sculptures . Accompanied by the Wei and Tang dynasties stone sculptures , tombs , pagodas in and out of the temples they have been treasured in and out of China. The Hall of the Great Buddha , the main building, was built in the Tang Dynasty. It's plain and solemn in shape. On the gates and beams there are still many insc-riptions by the people of Tang and other dynasties. According to the inscri-ption on the stone pillar in front of this hall and inscription on the wall in-side the hall, the Hall of the Great Buddha was built in 857. As mentioned in the last paragraph, the hall stands on a high platform and consists of -seven bays with a totalspace of 677 square metres. Massive brackets are used under the caves. The various parts are so well-proportioned as to give the whole struc-ture and appearance of grandour and solidity. The brackets, the beams and the caissoned ceiling in the hall are neatly constructed and gracefully designed , so these structural parts serve also a decorative purpose. This hall is , indeed, a supreme work of art. It is a representative work of the Tang wooden framework architecture. In the hall, there is a spacious platform with three Buddhas and some attendants and consecrate Bodhisattvas on it. Sakyamuni is in the middle and two disciples b-eside. The other two Buddhas are Maitreya and Amitabha, Manjusri riding a lion is or the right and Samantabhadra on an elephnant on th left. In the ends of tne altar stand two giant Skt. Lokapalas. All of these statues are well proportioned and simply moulded. Although they were repainted by the other dynasties, the sculpture style of Tang Dynasty can still be seen on them. In the south of the Buddhist altar, a statue of a middle-aged womwn of Tang Dynasty, who was the benefactor of rebuilding the Hall of the Great Buddha,was vividly carved,with a serious and noole manner. The murals greatly remained in the Hall are mostly related to the religion. A longmural about 450cm long and 66cm high are divided into 3 distinct groups. In subject,matter the wall paintings of the central group centre on Jataka, fables and tales about the previous existence of Sakya-muni , containing murals of Skt. Avalokitesvara, Mahasthanaprapta and Bodhisa-ttvas . The other groups on both sides centre on Skt. Manjusri and Skt. Samantabhadra followed by worshipping Bodhisattvas , and Apsaras in the form of marching to a meeting. Donators are found on both sides, the northern ones in monk dress, the southern common . Technically speaking, these three groups of murals are as important as those of the Dunhuang Grottoes. The wall paintings back of the statue of tne Main Buddha depicted Skt. Loka-pala , , dragons and monkey. The images were depi?ted with light and forceful strokes followed the style of Wu Daozi, something like his picture entitled "Combing the Hills ". They also have a unique style of their own. They are the only earlier mural in the existing Chinese wooden framework architecture. Another hall is Wenshu() Hall, the architectural feature of which is less pillars were used. This is a model of ancient reducing pillar buildings. Built in 1137 during the 15th year of the Reign of Tian Hui of the Jin Dynasty , it is in the form of single eaved hip roof type, measuring 7 bay in width , 4 bay in depth. It has an elegant yet dignified appearance which marks it as the rarest specimen of ancient Chinese wooden architecture. On the top of the hall there is a glazed Pagoda. The whole tower has a simple but dignified appearance in beautiful color. It was built in 1351. The feature of the Jin architecture is unusually represented here. The inclined bracket set for Pu Zhuo under the eaves are especially large which is another feature of Liao and Jin Dynasties architecture. In the centre of the Temple of the Giant Buddhais is the statues of Skt. Manjusri and his six attendants in handsome complexion. TheseJin Dyasty relics are well decorated. Carved on the lower part of the entire walls are the Five Hundred Luohan dated from 1426-1435 during the Reign of Xuen De of the Ming front of the Temple of the Giant Buddhais is a Tang Dynasty stone pillar pagoda inscribed with sutras and the llth Year of the Reign of Da Zhong when the Temple of Giant Buddha was constructed. The other stone pagoda shape with sutras stands in the yard within the temple gate dated from 877 in the Fourth Year of the Reign of Qianfu of the Tang Dynasty . Pagoda is important part of Foguang Temple complex. On the left side of the Temple of the Giang Buddha is a two storeyed hexagonal structure pagoda. It is built entirely of brick. Inside the building, the upper is solid, the lower part hollow. Its pillar is decorated with Indian styled lotus known as Zhu Shi Pagoda , it evidenced the cultural exchange between India and China and dated from Northern Wei or Northern the side of the Fo Guang Temple there are six Tang or Jin Dynasty tombs. The 1230 year old Wugou Jinguan Pagoda was built in the period of Tian Bao reign of the Tang dynasty. The lotus throne upon which the Buddha sits is painted with white lime and covered with colored picture and lotus flowers in dark red and yellow color. It is the only specimen among the existing styles of temples. Besides, a similar form once appeared in the Dunhuang Grottoes paintings of mural. Relics of Foguang Temple is the cream of Tang's flourishing Buddhist culture and art. It is a treasure house of our national culture. Foguang Temple has been opened to the public.
xiaoxiaANDY
中国作为古代四大文明古国之一，许多著名景点吸引了各国各地友人慕名而来。下面是我为你们整理出来的一些英文 导游词 范文 ，希望能帮到你们。
英文导游词范文1
Hello, everyone! I am a small tour guide Chen Mingxiao. Welcome to the magnificent the Great Wall. Today, I am honored to introduce to you the the Great Wall, the great ancient Chinese architecture. Now, let's start a tour of the Great Wall!
As the saying goes, "less than the Great Wall is not a good man", climbing the Great Wall must have perseverance and unyielding perseverance and determination, and can not give up halfway. We can watch and climb on the other side. Let me first introduce the Great Wall to you: the Great Wall is made up of Guan Cheng, enemy building, smoke pier, Beacon Tower, enemy platform, wall platform, woo wall, stack, hole, perforation, etc. The Beacon Tower and the mound are used to deliver the enemy. During the day, smoked on smoked pits, and the number of smoke piles represents the number of enemy soldiers. I can't see the smoke at night and make a fire on the Beacon Tower. This way of transmitting information was the fastest and most effective in that era, and Beacon Tower played a very important role.
At this time, I saw a child climbing on the wall. I held him down and said to everyone, "please be careful not to climb on the wall. It is very dangerous. Outside the wall is a dangerous mountain. Falling down is not fun! "
Now, let me tell you more about the story of the Great Wall: Once upon a time, there was a man named Meng Jiangnu who went to dress for her husband who repaired the Great Wall. She went to the Great Wall, but she didn't find her husband. She quickly asked others that he had been buried in the Great Wall. She cried and cried for many years. Finally, she cried down the Great Wall and finally saw her husband.
The Great Wall is beautiful, magnificent, winding, and you are welcome to visit it.
英文导游词范文2
ladies and gentlemen , welcome to Fenghuang, the place where were arriving is one of the two most beautiful town in China----the old town of fenghuang, its a very important point that connects huaihua hunan and tongren guizhou its the hometown of mr shengcongwen.
fenghuang has wonderful natural landscapes,its very hot for travelling since the old time. even a lot of teleplays were produced is also a dradle for famous people ,shencongwen and xiongxiling are both spent their childhood , lets set out to enjoy these fantastic good views.
THE FORMER RESIDENCE OF SHENCONGWEN
This is the former residence of shencongwen,a very famous auther, archaeologist and historian in china.
lined in the zhongying street in the south part of the fenghuang old town, the residence is a typical spacious ancient countryard with special tectonic style of ming and qing dynasty. walk into the yard, you can find that there is a small patio in the center of the countryard. which is built with red rock. around the patio , there are about 10 rooms which are small but decorated by special carved wooden windows .its so beautiful.
common people,and know their tragic lives. this special experience stunned up his enthusiasm of writhing . so in 1919, mr shen went to beijing alone, and began his hard writing . after his series of works WEST OF HUNAN FRINGE TOWN were punished, mr shen became nation -wide well that time, he was even as famous as luxun, another famous auther in chiese literature area. its said that shencongwen is the one who is the most possible to win the prize.
mr shen devoted all his life to writing,his 5-million word works are though as the precious legacy to the world , these works are also very veluable date for researching the history of hunan province and even china.
英文导游词范文3
Ladies and gentlemen, this time we are going to visit the famous Pingyao County. Pingyao County is one of the cultural heritages of the world heritage list. Please keep the floor clean during the tour. If you have any questions, you can ask me.
We first came to the first tourist spot: South Street. The composition of Pingyao County is crisscrossed four streets, eight small streets, seventy-two winding streets, and now we come to the South Street of four Avenue. You see, on both sides of the street, old and famous shops are flourishing traditional commercial streets. During the Qing Dynasty, South Street controlled more than fifty percent of the financial institutions in the country.
West Street is known as "the first street of Finance in Qing Dynasty", and it is a main street directly connected with East Street. And the East Avenue North and South Street intersection, North Street is to the west central street.
Eight small streets and seventy-two lanes are named in the nearby buildings or marked signs; some are named in the temple temple; some are named in a city in the city; and some streets and lanes have been unable to explore the source of the name.
There are many beautiful legends in Pingyao County, such as sleeping aunts and drug wives, and burning Town God's Temple. Please take a good tour of this beautiful ancient city.
英文导游词范文4
Everybody is good! Welcome to the Palace Museum tourists sightseeing. Today, I will take you visit the Forbidden City, in the hope that visitors can enjoy me!!!!!!!
The tourists! The Palace Museum is in the Ming and qing dynasties imperial palace, the Forbidden City built on the basis of a collection of ancient buildings, collection, imperial palace culture art as one of the large-scale comprehensive museum. The Forbidden City covers an area of about more than 100 square meters, construction area of about 1 square meters. A total of 24 emperors lived in the Forbidden City, the first is the Ming dynasty yongle emperor zhu di, the last one is the qing dynasty xuantong emperor, puyi, ruled the country for 491 years. So the Palace Museum of history is very long!
Visitors, please look up, this is the meridian gate, in ancient times, what kill people to kill in front of the meridian gate! From the meridian gate, we can see the jinshui bridge. From the jinshui bridge in the past, a gate, can see the Palace Museum of taihe palace, zhonghe palace and Baohe Palace, is the place where the emperor emperor, very grand. Out of Baohe Palace, a gate of heavenly purity, came to the palace of heavenly purity, this temple and palace of earthly tranquility, legend built the Forbidden City, is in order to world peace, to take these three places? Kun ning door, is the imperial garden, the garden scenery beautiful, there are a number of strange stone, come across these stones, remember pictures to commemorate!
Before the gate is her virginity and creature door, our trip to the Forbidden City is over. Look at this magnificent palace, and some loathe to give up?
英文导游词范文5
Entering the Meridian Gate, there are five marble bridges on the Inner Golden Water River, shaped like a bow. The five marble bridges just look like five arrows reporting symbolically to heaven. The five bridges were supposed to represent the five virtues preached by Confucius-benevolence, righteousness, rite, intelligence and fidelity.
Across the Inner Golden Water Bridge, we get to the Gate of Supreme Harmony. During the Ming and early Qing dynasties, here was the place where the emperor gave his audience, accepted documents from his ministers and made decisions here. There are two bronze lions guarding in front of the Gate of Supreme Harmony. The male lion was usually put on the left, playing with an embroidered design ball, which is said to show the emperor's supreme power. The other one on the right is the female lion, playing with a lion cub with its left paw symbolizing prosperity of the royal family's offsprings.
Across the Gate of Supreme Harmony , we come to the Hall of Supreme Harmony. Here the emperor held grand ceremonies such as the emperor's enthronement ceremony, the wedding ceremony, dispatched generals to the battles, and the emperor received the successful candidates of the imperial examination etc. Also, the emperor held grand feasts each year on New Year's Day, Winter solstice and his own birthday.
The Hall of Supreme Harmony is meters high with double layered roof that represents the highest construction rank of all. Now, let's ascend the stairs and move on to look at articles in display on two sides of the hall. On the top layer of the terrace stands a sundial on the east an imperial grain measure on the west. The sundial is an ancient time measure or a time-measuring apparatus used in the old days. The sundial tells the time by seeing the shadow of the metal pin on the sundial, which has an inclination angle of 50 degrees with the graduation on it. The grain measure was used as the national standard measure in agriculture in the old days. Both the grain measure and the sundial were symbols of the emperor's justice and rectitude.
There are two pairs of incense burners in the shape of bronze dragon-headed tortoises and bronze cranes placed on each side. They are both symbols of longevity.
When you look up the building in the Forbidden City, you can see mythical animal statues on the eaves of each building. Originally, there used to be big wooden nails on the roof to prevent the tiles from sliding down. Later they were replaced by glazed tiles, which were shaped into mythical animal statues for better beautification. They are symbols of auspiciousness and peace, and people believed that they are capable of subduing fire and warding off evil spirits.
Inside of the Hall of Supreme Harmony, you can see the gilded caisson ceiling high above the throne with a magnificent sculpture of a curling dragon playing with a huge pear was called “Xuanyuan Jing”， representing orthodox succession.
This hall is supported by 72 giant columns inside. In the old days, the traditional way of the Chinese to calculate a “room” is that: a square enclosed by four pillars was treated as one “room”， so the hall can be said to have 55 “rooms” in total. The six columns inside are gilded and painted with coiled dragon amidst clouds, and the rest are painted red.
The emperor's throne is placed on the dais in the center, and carved in cloud and dragon patterns and gilded. On both sides of the throne are a pair of elephant-shaped incense burners symbolize universal peace and two incense burners shaped as a mythical animal 9,000 kilometers per day and speaking all the languages of nearby kingdoms. Around the throne stand a pair of bronze cranes and in front of the dais is four cloisonné incense burners. The floor on the ground is paved with “Gold Bricks”， specially made in Suzhou.
The Hall of Middle Harmony is a square-shaped hall with a single pyramidic roof standing behind the Hall of Supreme Harmony. This was the place where the emperor would take a short rest before he went to the Hall of Supreme Harmony for grand ceremonies. Every year before the emperor went to the Altars and Temples, the emperor would receive and read the sacrificial address here.
Before the emperor went to the Altar of Agriculture for offering the sacrifice, the seeds intended for spring sowing and the ploughs were examined here, just to show the concern of the emperor for agriculture.
According to the rule, the imperial genealogy should be revised every ten years. The ceremony of presenting the genealogy to the emperor for revision and approval would also be held here.
Now, we come to the Hall of Preserving Harmony, the last of the three front halls.
In the Ming and Qing dynasties, on each New Year's Eve and the 15th day of the lunar moth, banquets would be held to entertain the civil and military officials and the princes and envoys of the Mongolian nobles and other nationalities. To celebrate the princess's marriage, the emperor would incite the bridegroom and his father as well as their relatives who served for the imperial government to a banquet.
The Imperial Palace Exam was held here once every three years in the Qing dynasty.
Just behind the Hall of Preserving Harmony, there is a big Marble Rampcarved with mountain cliffs, sea waves, clouds and nine dragons. It is meters long, meters wide and meters thick, and weighs about 250 tons.
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